Makoto Fukamachi (Junichi Okada) is a Japanese cameraman. He finds an old camera on a backstreet of Nepal. The camera might possibly solve the mystery of whether George Mallory became the first person to successfully climb Mount Everest on June 8, 1924 or not. Pursuing the old camera’s past, Makoto Fukamachi meets legendary Alpinist Joji Habu (Hiroshi Abe). Joji Habu is isolated from other people because of his reckless and thoughtless personality.
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The young Harold lives in his own world of suicide-attempts and funeral visits to avoid the misery of his current family and home environment. Harold meets an 80-year-old woman named Maude who also lives in her own world yet one in which she is having the time of her life. When the two opposites meet they realize that their differences don’t matter and they become best friends and love each other.
In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl’s cruel parents. Emily’s worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters.
As members of ESWAT, the elite forces serving Olympus, Deunan and Briaereos they are deployed everywhere trouble strikes. Olympus finds itself under a stealth attack – cyborg terrorism, deadly nanotech zealots, and rioting citizens are just some of the threats that Deunan must contend with as she fights to save Olympus!
Ely, a young man who can’t get over Celine, his past love, meets Mia, a young woman who escaped from a painful past in the Philippines and is trying her luck to rebuild her life in Spain. They meet. They fall in love. But can they overcome the hurt of the past to have a future together?
Barney Ross leads a band of highly skilled mercenaries including knife enthusiast Lee Christmas, a martial arts expert, heavy weapons specialist, demolitionist, and a loose-cannon sniper. When the group is commissioned by the mysterious Mr. Church to assassinate the dictator of a small South American island, Barney and Lee visit the remote locale to scout out their opposition and discover the true nature of the conflict engulfing the city.
Liu Xing a brilliant Chinese student, arrives at University and makes the transition into American life with the help of Joanna Silver. Xing joins a cosmology group working to create a model of the origins of the universe. He is obsessed with the study of dark matter and a theory that conflicts with the group’s model. When he begins to make breakthroughs of his own, he encounters obstructions.
The movie depicts the three months before Choong-nyung (the future Sejong the Great) becomes king. The Annals of the Joseon Dynasty, which follows the history of the Joseon Dynasty between 1413 and 1865, leaves out records of this crucial period. While future generations would come to know him as King Sejong, the legendary figure who created the Korean alphabet and advanced the country’s scientific research and law, Prince Choong-nyung was originally dismissed as a reclusive bookworm. When his older brothers Yangnyeong and Hyoryeong fail to impress their father King Taejong, the king makes a royal command for Choong-nyung to become the next ruler of the kingdom instead.
Maverick cop Orin Boyd always brings down the domestic terrorists he tracks, but he ruffles feathers with his unorthodox techniques — and soon finds himself reassigned to the toughest district in Detroit. When he discovers a group of detectives secretly operating a drug ring, Boyd joins forces with an unlikely ally — gangster Latrell Walker — to bring down the rotten cops.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.