Based on Paolo Villaggio’s books “Fantozzi” and “Il secondo, tragico Fantozzi”, which are popular in Italy, this film tells the story of an unfortunate accountant’s life over the course of one year, shown in a variety of sketches, segments and provocative sequences making Fantozzi a very unlucky person indeed.
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Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades’ demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
The Lone Rangers have heavy-metal dreams and a single demo tape they can’t get anyone to play. The solution: Hijack an AM rock station and hold the deejays hostage until they agree to broadcast the band’s tape.
A group of lifelong friends reunite to celebrate a special birthday, with Sydney’s iconic Palm Beach providing a stunning backdrop for the unfolding drama. The good times roll, with loads of laughter, lavish meals, flowing wine and fantastic music, but slowly tensions mount and deep secrets arise.
Three handsome Sydney bachelors Aroush, Tanmay and Al – are having the time of their lives in Sydney. They flirt around, and have numerous conquests to their credit. They suddenly find their dating and mating rituals destroyed when a dimpled little roommate lands up on their doorstep. When it comes to babies, they’re total zeroes and this bundle of joy is anything but joyous.
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
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A fame obsessed average Joe escapes a mental institution with a band of misfits for one last desperate attempt to be famous.
It sucks to be nice, and Pete Lee does it better than anyone. He hopes no one will be offended by his jokes about drugs, motion sensor sinks, people pleasing and avoiding conflict. He’s just so darn pleasant. So grab a drink and laugh – Pete knows you’ll probably get up to pee or take a phone call during the show, and he’s cool with it.
After college graduation, Grover’s girlfriend Jane tells him she’s moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all of whom can’t quite work up the inertia to escape their university’s pull. Nobody wants to make any big decisions that would radically alter his life, yet none of them wants to end up like Chet, the professional student who tends bar and is in his tenth year of university studies.
After her husband’s death, Hana lives on alone in the family villa. Her two sons visit her with their families, but these visits frequently end in quarrels. When Hana meets Brona, a hardy fellow, inured to winter swimming, a new world opens before her. Brona’s team-mates absorb her into their team and Hana gradually learns to overcome her fear of icy water. Her relation with Brona grows into love.
