Albuquerque-born boxer Johnny Tapia’s life was a maelstrom of turmoil. The glory of his punishing ring prowess and handful of world titles across three weight classes forever jockeyed with personal demons: his mother’s kidnapping and murder when he was 8, drug addiction, mental illness and suicide attempts.

Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.

This rockumentary-style presidential portrait shows how Jimmy Carter reinvigorated a post-Watergate America—with the music of the counterculture, including the Allman Brothers, Bob Dylan, Willie Nelson, and Jimmy Buffett.

Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world’s biggest unanswered questions- who is Banksy?

“Hardball: The Girls of Summer” follows the top female baseball players in the USA, all members of the globally ranked US Women’s National Baseball Team. They play BASEBALL – not softball – and fight for equality, recognition, and acceptance in a sport that continues to exclude women and girls. These trailblazers chase their dream of winning a Gold Medal at the Women’s Baseball World Cup, playing professional ball, and creating opportunities for the girls coming up behind them. This is their quest to prove that women and girls belong on the baseball diamond and have a place in America’s Pastime. This is the world of women’s baseball. Narrated by Jessica Mendoza. Written by Jewel Greenberg

The story of young, brilliant African-American Anita Hill who accuses the Supreme Court nominee Clarence Thomas of unwanted sexual advances during explosive Senate Hearings in 1991 and ignites a political firestorm about sexual harassment, race, power and politics that resonates today.

From the 1930’s to the 1970’s, pretty well every comedian or comic you might see on TV or the movies was Jewish. Jews came to dominate the world of western‐society comedy on radio, stage and screen alike.Why did Jews dominate comedy in this period? And why did that domination end? Were Jews just funnier back then? And if so, did that extend to your average Jew on the street? In this 90 minute documentary acclaimed director Alan Zweig will examine these questions and many others in this exploration of 20th century humour, cultural decay, and a search for a missing heritage.

Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.

Reporter Bronagh Munro investigates how a teenage gap year student became one of Britain’s worst ever paedophiles.

On June 17th, 2015, 21-year-old white supremacist Dylann Roof walked into a bible study and murdered nine African Americans during their closing prayer. This is the story of the victims and survivors of that night.

More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.

Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.