After breaking out of a rehabilitation zoo, Frankie, a squirrel with all the angles, returns to his forest. He learns from his dim-witted best friend, Cody, a porcupine and street-con, that while he was in lock-up, the entire forest was picked clean by The A.C.O.R.N.S. Institute (Alternative Cosmetic Oils for Regenerative Natural Skin-care). No acorn was left behind. With winter just around the corner, it’s a potentially devastating blow to all forest critters. So, Frankie has no choice but to bust into the brand new, state-of-the-art, rodent-proof A.C.O.R.N.S. Processing Plant and take back all of the acorns! Though a seemingly impossible heist, success would not only save the lives of his forest friends, but it would also give Frankie a chance to win back the love of his life, Lola, a local “show squirrel.” Sadly, Lola has been burnt by too many of Frankie’s false promises in the past.
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Located in the US Rust Belt, Charlestown is home of the hapless Chiefs, a losing Federal League hockey team whose games are poorly attended. To make money, the team’s unknown owner makes its manager, Joe McGrath, do cheesy publicity much to the players’ chagrin. Rumors abound among the players that if the local mill closes, the team will fold. Just before the official announcement is made, the team’s aging player/coach, Reggie Dunlop, does get wind that the mill is indeed closing and that this season will be the team’s last. Beyond efforts to reconcile with his wife Francine, who loves Reggie but doesn’t love his career, Reggie begins to focus on how to renew interest in the team for a possible sale as he knows if the team folds, his hockey career is over. Without telling anyone of his plan, he begins a rumor that the owner is negotiating a sale with a city in Florida.
In 700 Sundays, legendary comedian and actor Billy Crystal tells the stories of his youth, growing up in the jazz world of Manhattan, his teenage years, and finally adulthood. The Tony Award-winning show is a funny and poignant exploration of family and fate, loving and loss.
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Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
