Jill and Joy (both 9) live in their own house like any other little girls, except that they might be a little happier than most little girls, as they get to live in their own house specifically designed for the two. One December evening a small car, barely the size of a shoebox, pulls up in front their house, and a teensy-weensy family gets out; it’s the McTiny family. The family has become homeless after a road roller smashed their home. Planning to live with the girls temporarily, the family moves in with Jill and Joy but soon finds out that not all big people have good intentions towards them. Jill and Joy’s Winter is based on a beloved book by the same name, written by a Finnish writer named Marjatta Kurenniemi.

The classic Shirley Temple film in which a little girl goes in search of her father who is reported missing by the military during World War I.

When two bus crash survivors awake to discover that they are the only people left in their small town, they must form an unlikely alliance in a race to unravel the truth behind their isolation. As strange events begin to unfold, they start to question whether the town they know so well is really what it seems.

Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy’s propensity for lodging objects in his nose and Maggie’s tendency to wander.

Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he’s in a war zone, and he wants to change jobs to something less stressful. But he’s got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he’s dead and goes looking for him. She’s helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they’re determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison’s son Cesar is looking after his father’s prized greenhouse, keeping hope, and flowers, alive.

Former top U.S. security adviser Elizabeth “Libby” Lamm is threatened by associates from her dark past including Rachel Burke a steely, commanding politician with an unwavering knack for achieving her goals. Colluding with Rachel is Adrian, an unyielding, patriotic chief of staff. Martin harbors another type of obsession with Libby in this story of betrayal and regret.

High school student Ha-Na experiences trouble sleeping after her classmate Jin-A committed suicide. Not being able to sleep, Ha-Na sees her parents fighting. The next day, her parents act like nothing happened the night before. She doesn’t like her parents hypocritical behavior. Around this time, Se-Mi, a senior in the band club, approaches Ha-Na. Ha-Na begins to act differently, but she becomes to regret her behavior. A rumor spreads about her and she becomes the target of bullies.

Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders’ Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves.

When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.

A romantic comedy full a refreshing global perspective, SIDEWALLS is director Gustavo Taretto’s clever and moving ode to the modern people and urban landscape of Buenos Aires. Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. Her head is a mess, just like the apartment where she takes refuge. Martin and Mariana are perfect for each other– they live in the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?

The manger of cabaret club “Hanibani” named Shuu, a worker at the club named Koji and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into 3, but they become consumed by greed and try to get more than their share. In addition, a renowned figure is after their money.