Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures.
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Vada Sultenfuss has a holiday coming up, and an assignment: to do and essay on someone she admires and has never met. She decides she wants to do an assignment on her mother, but quickly realises she knows very little about her. She manages to get her father to agree to let her go to LA to stay with her Uncle Phil and do some research on her mother.
When Davis Green’s (Joseph Cross) alluring young cousin Alexis (Adelaide Clemens) appears on his doorstep one night, he discovers that a side of his family has been kept secret from him. Against his father’s wishes, Davis travels to rural, upstate New York to meet his other cousins. While wrestling with a taboo attraction to one another, he and Alexis attempt to reunite their families, uncovering the reasons behind a long-standing rift and the shocking secret that tore their fathers apart. Together, their discoveries force them to confront the temptation to keep their familial grudge going rather than end it.
An event planner must organize the perfect wedding for her sister in less than a month when she finds out that the Rosewood, a historic inn and beloved wedding venue, is being sold.
Hoping to leave behind troubled days in the Baltimore city police department, Nate Burns (Eddie Cibrian) journeys to Alaska, where he takes up a quiet life as a small-town sheriff and begins a romance with spirited bush pilot Meg Galligan (LeAnn Rimes). But when Meg’s father turns up dead, Burns finds himself thrust into the limelight of a dangerous murder investigation.
Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
A troubled woman seeks out the child she gave up for adoption; a gay motel owner takes in a handsome drifter; and the wife of a preacher frets that a gay couple has moved in across the street. All of their lives will intersect as Loggerheads subtly draws out their secret losses and desires.
Patricia Highsmith’s haunting story of a day in a young girl’s life when a kind stranger comes to town.
Kenneth (who likes to call himself Kay) begins to realise he’s just another wannabe bad boy… even less than a loser in fact. After quitting his job at Laimsbury’s, Kay vows to become a respected gangster… or cry trying. A pulls-no-punches, coming-of-age story, centering on one directionless hopeless “shotter”, who finds his true worth in the face of urban adversity.
Hoshiarpur based Gopi’s dying father asks him to locate Kishen and hand-over a piece of land to him, and subsequently passes away. Gopi heads out to Goa and this is where he will be taken for a ride not only by Kishen, but also by Kishen’s look-alike hoodlum brother, Hari; and get involved, along with a group of assorted characters, in the location of diamonds that were stolen by three women.
Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between ‘job’ and ‘yob’ becomes more unclear as time passes . . .
Shui (Stephen Chow) and Ti (Sandra Ng) elope off, against the wishes of Ti’s father (Shing Fui-On). They live the life of a struggling young couple. Shui finds a job at a jewelry importer and his hard work is noticed by the boss lady (Suki Kwan). As Shui moves up the corporate ladder, the chasm between Shui and Ti starts to widen, and the bond between Suki and Shui tightens.
