A girl who half-heartedly tries to be part of the “in crowd” of her school meets a rebel who teaches her a more devious way to play social politics; killing the popular kids.
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Jack’s lavish, fast-paced lifestyle changes one Christmas night when he stumbles into a grocery store holdup and disarms the gunman. The next morning he wakes up in bed lying next to Kate, his college sweetheart he left in order to pursue his career, and to the horrifying discovery that his former life no longer exists. As he stumbles through this alternate suburban universe, Jack finds himself at a crossroad where he must choose between his high-power career and the woman he loves.
Ken is quick to adopt a change in personality by becoming an “on-the-ball” recruit, even more so than “Wayang King” Aloysius. Differing viewpoints sour the friendship between Ken and Lobang. Meanwhile, Ken’s father has become partially paralyzed because of his stroke but is determined to make a recovery. After booking out, Aloysius seeks advice from his parents as he feels excluded from the group; his father (Chen Tianwen) tells him the best solution is not to do anything. Back at Tekong, Recruit IP Man learns about “Real Bullet” Zhen Zidan (Benjamin Mok), an “Ah Beng” who stole his girlfriend Mayoki (Sherraine Low). IP Man hits back by criticizing Mayoki for her inferior qualities.
Two inexplicably coherent zombies awake amidst a zombie attack and decide to take a road trip to find the one’s lost love, unaware they are being chased by the agents of a ruthless company with it’s own agenda.
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.
After connecting on an online dating site a young man and woman spend an evening together and connect ways they never imagined.
Phil and Claire Foster fear that their mild-mannered relationship may be falling into a stale rut. During their weekly date night, their dinner reservation leads to their being mistaken for a couple of thieves – and now a number of unsavoury characters want Phil and Claire killed.
The Accident Man is back, and this time he must best the top assassins in the world to protect the ungrateful son of a mafia boss, save the life of his only friend and rekindle his relationship with his maniacal father figure.
The story takes place in LA, in the house of four housemates, three women, MJ, Frankie and Amanda, and an homosexual, Banks. MJ is the kind of girl to whom money means everything and to whom others mean almost nothing. Frankie is a social worker and Amanda, a painter. Banks is an unfortunate actor. The problem is that Frankie is deeply in love with Taylor, and he loves her back, but he’s sleeping with MJ, for sex. MJ will become more and more jealous of Frankie as days flow…
Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family’s country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.
Lucky is tricked into missing his wedding to Margaret by the other members of Pop’s magic and dance act, and has to make $25,000 to be allowed to marry her. He and Pop go to New York where they run into Penny, a dancing instructor. She and Lucky form a successful dance partnership, but romance is blighted by his old attachment to Margaret and hers for Ricardo—the band leader who won’t play for them to dance together.
An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.
