The film’s plot follows that of the game closely. Nariko, a member of an ancient tribe who have guarded an ancient magical sword for thousands of years, is charged with bringing the sword to its destined wielder, a deity reincarnated who will bring peace to the land. But on her quest, Nariko must wield the sword herself against the forces of King Bohan, who wishes to possess the weapon himself.
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Day, an insecure art director of a commercial production company is left alone to clear up a 6-meter deep deserted pool after the shooting. He falls asleep on an inflatable raft due to an unbearable fatigue. When he wakes up again the water level has sunk so low that he cannot climb out of the pool on his own. He screams for help but the only thing that hears him is some creature from a nearby crocodile farm.
London Road is a musical drama that documents the events of 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with frequent soliciting and kerb-crawling on their street. When a local resident was charged and then convicted of the murders, the community grappled with what it meant to be at the epicentre of this tragedy.
A crew of men who do the high-wire work of fixing the electrical grid are hit by a sudden deadly storm.
In 1971, a group of friends sail into a nuclear test zone, and their protest captures the world’s imagination. Using never before seen archive that brings their extraordinary world to life, How To Change The World is the story of the pioneers who founded Greenpeace and defined the modern green movement.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
Jun is a top agent of the National Intelligence Service who can strike down dozens of terrorists in one fell swoop. Disenchanted with his life, Jun disguises his death and succeeds in leaving the NIS to lead a normal life as a family man and fulfill his dream of becoming a webtoon artist. However, his unexciting webtoons are ignored by readers and even his wife. Depressed and angry at himself, Jun suddenly draws a webtoon of his past as a secret agent.
A scanner discovers a plot by renegade elements in the city government to take power with the help of evil scanners.
200 years after his shocking creation, Dr. Frankenstein’s creature, Adam, still walks the earth. But when he finds himself in the middle of a war over the fate of humanity, Adam discovers he holds the key that could destroy humankind.
James Sullivan and Mike Wazowski are monsters, they earn their living scaring children and are the best in the business… even though they’re more afraid of the children than they are of them. When a child accidentally enters their world, James and Mike suddenly find that kids are not to be afraid of and they uncover a conspiracy that could threaten all children across the world.