Holly finds her world turned upside-down when she suddenly finds herself incapable of lying. (Don’t you hate when that happens?) It’s because of a wish her niece made to Santa Claus. And now, with Christmas coming up fast, she has to come to terms with her natural penchant to want to fib while trying to do the right thing. And that’s no lie.
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Broadway producer, Max Bialystock and his accountant, Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
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An eccentric Olympic has-been who prefers leisure to work, finds himself stuck with a rigid pre-law Yale student with no time for wasting time. Between skinny-dipping and stealing cars, this odd-couple learn from each other that balance is the key to getting the girl, getting the job and getting a life.
Herman owes a lot of gambling debts. To pay them off, he promises the mob he’ll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice veterinarian, into helping him. Of course, he doesn’t tell Virgil what he is really up to. Mistaken identities are assumed, while along the way, Virgil meets a female vet and Herman falls for the owner of the horse. Goons and mobsters are also lurking around; so beware!
To save his career, an ad man wants a sex symbol to endorse a lipstick. But she wants something too: he has to pretend to be her new lover.