Imaginaerum tells the story of an elderly composer, Tom, who suffers from severe dementia. As he has had the disease for years and has regressed into childhood, he remembers practically nothing from his adult life. His music, friends, all his past including the memory of his daughter are a blur in his fragile mind. All he has left is the imagination of a ten year old boy. As he drifts away into coma, it seems impossible to get back what he has lost. Or is it?
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An aging, booze-addled father takes a trip from Montana to Nebraska with his estranged son in order to claim what he believes to be a million-dollar sweepstakes prize.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
A group of kids on holiday in Cornwall meet a magical creature on the beach with the power to grant wishes.
A terrorist attack in London results in the capture of suspect Farroukh Erdogan (Denis Moschitto). The attorney general appoints Claudia Simmons-Howe (Rebecca Hall) as special advocate on Erdogan’s legal team. On the eve of the trial, Erdogan’s lawyer dies, and a new defense attorney, Martin Rose (Eric Bana), steps in. Martin and Claudia are former lovers, a fact which must remain hidden. As Martin assembles his case, he uncovers a sinister conspiracy, placing him and Claudia in danger.
Nine years on, another Morley child has gone missing on her way home from school. Detective Chief Superintendent Maurice Jobson is forced to remember the very similar disappearance of Clare Kemplay, who was found dead in 1974, and the subsequent imprisonment of local boy Michael Myshkin. Washed-up local solicitor John Piggott becomes convinced of Myshkin’s innocence and begins to fight on his behalf, unwittingly providing a catalyst for Jobson to start to right some wrongs.
As a result of a traffic accident involving a violation of the centerline, the perpetrator dies, and the victim falls into a coma. After some time, the wife of the perpetrator, Heejoo, returns. Heejoo is bewildered at the fact that the victim’s wife Youngnam is also working at the factory where she goes to work. By accident, Heejoo becomes close with Youngnam’s daughter Eunyoung and learns a new fact about the incident. The true nature of this accident, where Heejoo’s husband was known to have crossed over the centerline, is actually very complicated. Since the social issues of dispatched labor and industrial accidents and personal issues of depression and family trouble are intertwined here, it is more difficult to apprehend.
Yamakasi – Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.