Two’s company, three’s allowed? From family disputes and unexpected babysitting duties to uncomfortable high school memories, manga drawing and friendships pushed to the next level – the Male Gaze series lifts the lid on six very different gay relationships and encounters. When two become three and outsiders enter the fray, what are the group dynamics at play? The short films are: Golden Boys (2017); In Beating Cells [In Pocheden Zellen] (2017); The Middle of a Lake [Le milieu d’un lac] (2017); Gilles (2016); Kiko’s Saints [Les saints de Kiko] (2019); With Thelma [Avec Thelma] (2017).

Michele is thirteen year old, shy, unpopular at school, and in love with Stella. After wearing a costume for a Halloween party, he finds out that he’s invisible.

Forks, Washington resident Bella Swan is reeling from the departure of her vampire love, Edward Cullen, and finds comfort in her friendship with Jacob Black, a werewolf. But before she knows it, she’s thrust into a centuries-old conflict, and her desire to be with Edward at any cost leads her to take greater and greater risks.

Eero is a writer, whose career is in a downward spiral, and he is badly struggling to write his new novel. Pihla is an ambitious actress on the verge of an international breakthrough. Neither of them is willing to sacrifice their careers even though their relationship is doing worse than ever. Eero ends up resorting to unusual and even desperate measures in order to get his career going again. The determined Pihla decides to juggle her career with her new role as a mother. But is there room in their relationship for these grandiose plans of theirs? Eero and Pihla go their separate ways to find answers from distant places such as Havana, the Atlantic Ocean, Hollywood, and Lapland.

Director Julian Schnabel illustrates the portrait of his friend, the first Afro-American Pop Art artist Jean Michel Basquiat who unfortunately died at a young age and just as he was beginning to make a name for himself in the art world. Along side the biography of Basquiat are the artists and the art scene from the early 1980’s New York.

“The Hours” is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Didi is an actress trying to prove herself before her superstar sister, while Chunmei owns a noodle shop and got dumped by the boy she had fancied forever.When these two distinct lives cross path, where would fate take them?

Adapted from a stage play by Christopher Shinn, the debut feature from Joshua Sanchez is a provocative rumination on race and sexuality set on a sweltering 4th of July evening.

In a working-class town in 1984, a high school senior’s future creates a tug-of-war between his no-nonsense father and his crackpot guidance counselor until an encounter with a goddess helps him uncover his true destiny.

Paul Miller (Paul Rudd – Friends, The Cider House Rules) has struggled as an actor in Hollywood for years, and now he’s had enough. But not just of show business-of life. In two days, he’s going to kill himself. But in true Hollywood style, he’s hired a film crew to chronicle his last moments and the events leading up to them; it’s the role of a lifetime. Often ironic and darkly comical, this is the story of a man searching for meaning and hope. This is the story of two days in the life of Paul Miller. The only question is, will they be his last?

An unemployed visionary finds a job as the manager of a television station his uncle owns. Unfortunately, due to gambling debts, the uncle is forced to consider selling the station to a rival station’s owner. With popular less-than-network standards of programming, George and his friends try to save the town’s new favorite station.

At Christmas, a cheerful publicist teams up with a cynical business owner and his team to help a charity in need.