With the help of a hilarious, all-female slate of stand-up comedians, Jenny McCarthy takes an outrageous look at life as a contemporary woman: from single motherhood to casual sex. Shot at the Hard Rock Hotel & Casino, this one-hour special includes sets from Justine Marino, Tammy Pescatelli, Lynne Koplitz, Paula Bel and Tiffany Haddish, as well as a series of sketch vignettes from McCarthy herself.
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Initiated by the Hong Kong Performing Artists Association and the Hong Kong Film Workers Association, ten film companies in Hong Kong (China Star, Anle Film, Emperor Films, Oriental Films, Media Asia Films, Meiya Films, World Films, Shaw Brothers, Sun Entertainment Culture , Huanyu Film) and the Hong Kong Film Development Council’s “Film Production Financing Project”. It tells about a quiet afternoon when the Gurney Hotel suddenly detected a suspected case. The epidemic prevention center ordered a total blockade. All guests staying in the hotel must accept Mandatory quarantine for 14 days. Everyone is isolated in the hotel, and the relationship between people is getting closer unconsciously. Everyone has lived through difficult times together, and learned to cherish what may be the last time to get along with each other.
A horror film that depicts St. Nicholas as a murderous bishop who kidnaps and murders children when there is a full moon on December 5.
Headrush is a crime comedy about two disillusioned youths, struggling through a haze of cannabis, who hope to solve all their problems by smuggling a consignement of drugs for a local gangster. It’s set in the present day in Dublin, Ireland against the backdrop of the end of the Celtic Tiger: the bursting of the bubble of this economy boom that’s supposed to have done wonders for us all.
In his Scottish New Town home, gangling Gregory and his schoolfriends are starting to find out about girls. He fancies Dorothy, not least because she has got into the football team – and is a better player than him. He finally asks her out, but it is obviously the females in control of matters here, and that very much includes Gregory’s younger sister.
A Beijing professor returns to his stomping grounds for a friend’s funeral. Reflecting on the past, he meets a tea shop owner who sparks feelings of love in a time of pain.
Mike Birbiglia shares a lifetime of romantic blunders and misunderstandings. On this painfully honest but hilarious journey, Birbiglia struggles to find reason in an area where it may be impossible to find: love.
A respectful nod to classic kids-in-peril adventure films that finds a group of reluctant kids stranded overnight in an abandoned jail. Their chaperon is missing, their cellphone service is non existent, and their patience with each other is running thin. Oh, and a big, hairy creature is trying to eat them. Hey… it’s tough being a kid in a monster movie.
After breaking out of a rehabilitation zoo, Frankie, a squirrel with all the angles, returns to his forest. He learns from his dim-witted best friend, Cody, a porcupine and street-con, that while he was in lock-up, the entire forest was picked clean by The A.C.O.R.N.S. Institute (Alternative Cosmetic Oils for Regenerative Natural Skin-care). No acorn was left behind. With winter just around the corner, it’s a potentially devastating blow to all forest critters. So, Frankie has no choice but to bust into the brand new, state-of-the-art, rodent-proof A.C.O.R.N.S. Processing Plant and take back all of the acorns! Though a seemingly impossible heist, success would not only save the lives of his forest friends, but it would also give Frankie a chance to win back the love of his life, Lola, a local “show squirrel.” Sadly, Lola has been burnt by too many of Frankie’s false promises in the past.
The gingerdead man travels back in time to 1976 and carries out an epic disco killing spree.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out