On the way to meet with an independent artist in the South, newlywed art dealer Madeleine (Embeth Davidtz) is convinced by her husband, George (Alessandro Nivola), that they should stop to meet his family in North Carolina. Madeleine’s affluent lifestyle clashes with the family, but she befriends George’s wide-eyed and pregnant sister-in-law, Ashley (Amy Adams), who is nearing her due date. Through the family, Madeleine gains greater insight into George’s character.
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When Snoopy receives a letter from his original owner Lila, he goes to visit her in the hospital while Charlie Brown and the gang are on the lookout for him. Suddenly, Snoopy feels that he must go live with Lila, but must say goodbye to all his friends. In his adventure to the hospital, he encounters numerous “No Dogs Allowed” signs, an annoying little girl who desires to keep him, and more!
Ally Darling (Anna Faris) is realizing she’s a little lost in life. Her latest romance has just fizzled out, and she’s just been fired from her marketing job. Then she reads an eye-opening magazine article that warns that 96 percent of women who’ve been with 20 or more lovers are unlikely to find a husband. Determined to turn her life around and prove the article wrong, Ally embarks on a mission to find the perfect mate from among her numerous ex-boyfriends.
An action film directed by Christian Anders and Antonio Tarruella.
Set towards the end of World War II, Nomura (Masatoshi Nagase) is a writer who is in despair. A woman works in bar and is a former prostitute. Many years ago, her father sold her to a brothel due to the family’s severe financial hardships. The writer and the woman then agree to live as husband and wife until the war ends. The woman doesn’t feel sexual pleasures due to her past, while the man lusts for the woman’s body. Meanwhile, Ohira (Jun Murakami) fought for Japan in China. He participated in unconscionable acts against civilians in the name of war. He returns to Japan with only one arm. Ohira then begins to prey on innocent women.
Straight-laced Jordan (Martin) is about to marry Peter (Snedeker), a clean-cut ambitious attorney. Before she walks down the aisle, Jordan and her best friends, Claire (Adrienne Frantz) and Jessica (Daphnee Duplaix), head to Vegas for a bachelorette party, because what happens in Vegas stays in Vegas, right? But when Jordan wakes up the next morning unable to recall the night before, she panics when she finds she’s in movie star Matt’s (Ethan Erickson) hotel suite with a gigantic diamond on her finger and a marriage certificate lying nearby. Before Jordan can have the marriage annulled and put this nightmare behind her, the impromptu wedding explodes into a publicity stunt fueled by Matt’s manager Eric (Bruce Nozick) to promote his latest movie. With her wedding day approaching, Jordan finds herself more confused than ever when she starts falling in love with the movie star she’s married to instead of the fiancé she thought was her perfect match.
Forced into early retirement, Felix Greystone falls in love with an augmented reality companion, to the detriment of his relationship with his wife and daughter.
Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous, intelligent, outrageous woman and they hatch a madcap scheme to prove his innocence.
Following the roguish terrorist attacks at Uri Army Base camp in Kashmir, India takes the fight to the enemy, in its most successful covert operation till date with one and only one objective of avenging their fallen heroes.
The Federal Bureau of Narcotics launches an undercover sting operation against jazz singer Billie Holiday.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
