Set in an alternate universe, in a college called FAERYVILLE, a group of teenage misfits struggle to find themselves and make sense of their ‘purpose’. They decide that there is no reason in trying to fit-in, trying like ‘everybody’ to be ‘somebody’, choosing instead to mock the establishment, as pranksters – calling themselves The Nobodies. Now, what’s their plan? Frankly, they have no idea, until Laer, a transfer student, joins them and takes them on a warpath of self-discovery and no return. Faeryville is a dystopian teen movie, a stylish coming of age film about youth making sense of their idealistic dreams in our increasingly surreal world – a fictional manifestation of very real issues prevalent in the Post 9-11 world.

When the kingdom’s most wanted-and most charming-bandit Flynn Rider hides out in a mysterious tower, he’s taken hostage by Rapunzel, a beautiful and feisty tower-bound teen with 70 feet of magical, golden hair. Flynn’s curious captor, who’s looking for her ticket out of the tower where she’s been locked away for years, strikes a deal with the handsome thief and the unlikely duo sets off on an action-packed escapade, complete with a super-cop horse, an over-protective chameleon and a gruff gang of pub thugs.

Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime

War Inc. is set in the future, when the fictional desert country of Turaqistan is torn by a riot after a private corporation, Tamerlane, owned by the former Vice President of the United States, has taken over the whole country. Brand Hauser, a hit man who suppresses his emotions by gobbling down hot sauce, is hired by the corporation’s head to kill the CEO of their competitors.

Cate has a small boutique where she sells vintage clothes. She is dating some snob whose mother thinks that Cate is a second class citizen because of her line of work. Harry meets Cate and they fall in love instantly. Francesca is a doctor who finds out that he has cancer, and tells Cate so that she would break up with Harry…

An unemployed American worker, a Tea Party activist, and a Chinese solar entrepreneur. But who wins and who loses the battle for power in the 21st century? Through interwoven character dramas spanning the U.S. and China, Catching the Sun explores the global economic race to lead the clean energy future.

Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human’s, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn’t see why.

Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.

Ferdinand, a little bull, prefers sitting quietly under a cork tree just smelling the flowers versus jumping around, snorting, and butting heads with other bulls. As Ferdinand grows big and strong, his temperament remains mellow, but one day five men come to choose the “biggest, fastest, roughest bull” for the bullfights in Madrid and Ferdinand is mistakenly chosen. Based on the classic 1936 children’s book by Munro Leaf.

Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

After months without pay, the already disgruntled crew on a Turkish cargo ship arrives in an Egyptian port and learns that the Port Authority is foreclosing on them. Ordered to anchor offshore, the remaining skeleton crew has their passports seized and must maintain the vessel until its owner’s debts are paid. Tensions quickly arise between the authoritarian Cypriot captain, his devoutly religious second-in-command, an affable cook, and a trio of newcomers to the ship—a pair of druggie ne’er-do-wells and the near-mute, hulking Kurd. As months pass, food and entertainment dwindle, alliances shift, and the men take out their raw frustration on one another.