Once upon a time in North India, two killers – Dev (Ranveer Singh) and Tutu (Ali Zafar) – roamed free. Abandoned when young and vulnerable, Bhaiyaji (Govinda) gave them shelter and… nurtured them to kill! All is normal in their lives until destiny throws free-spirited Disha (Parineeti Chopra) into the mix. What follows is a game of defiance, deception and love.
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While planning a fundraising event, a small New England town’s radio station manager meets her match in a visiting businessman who can’t seem to see beyond the screen of his laptop computer, until she ropes him into participating in her bachelor bake-off to help save the station.
Lizzie Richfield is at a crossroads when she lands a job as house manager for the exquisite Ashford Estate in the Virginia countryside. While preparing the place for sale, Lizzie plans one final Christmas Eve gala for the Marley family, though they seem to be a family in name only. There’s Kip Marley, who never met a party he didn’t like; Robert, the handsome but all-business executor of the estate; Sloane, who arrives with her two young children, sans husband, and the 90-year-old matriarch, Pippa, a spitfire who doesn’t want to put the house up for sale at all. As Lizzie is inserted into the home and the lives of the Marley family, she finds herself drawn to Robert — even as Kip pursues her. Can she navigate her suddenly complicated love life, while helping mend family feuds and maybe teaching all the true spirit of Christmas?
Goblin Slayer and his party head up to the snowy mountains in the north after receiving that request from the Sword Maiden to find any information on the Noble Fencer that disappeared after leaving to slay some goblins. A small village gets attacked, they encounter a mysterious chapel, and something about how these goblins are acting bothers the Goblin slayer. In order to save the captured Noble Fencer, the Goblin Slayer and his party head to an ancient fortress covered in snow to face off with a powerful foe and a horde of goblins!
Dr. Anansa Linderby is kidnapped in a medical mission in Africa by a slave trader. From this moment, her husband will do anything to recover her and to punish the bad guys, but that will be not an easy task.
Arthur (Dudley Moore), that irrepressible drunk, tries to sober up — and get a job — in this sequel to the 1981 smash hit. Meanwhile, the father of the girl Arthur stood up at the altar in the first film is conniving to trick the hapless boozer into marrying his daughter so he can gain entrée to Arthur’s $750 million fortune.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma’s marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora’s interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking.
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.
Donte Clark’s poetic voice was honed on the violent street corners of a struggling city. Yet rather than succumb to the pressures of Richmond, CA, Clark uses his artistic perspective to help save his city from itself.
Small-town girl Angie King leaves the church and her home to pursue a dream of singing stardom. Luckett plays Angie, the daughter of a stern but loving bishop, whose attraction to the hunky star (Tank) of a traveling gospel show takes her on the road…and into romance, heartbreak and the realization that happiness may lie in the home she left behind.
Legend has it that if a human man falls in love with a mermaid she will grow legs; legs that will, if she so desires, carry her far, far away from the very man she cast her watery spell upon… But what becomes of the human man, when her spell remains but she is gone? Edward Dunstan (Ben Whishaw) is a photographer and filmmaker obsessed by his muse (Kristen McMenamy). Blinded by his all-consuming passion and perfectionism, he was unable to see her as she was and so, she has left him. All that remains are his photographs and film of her that he has running on a loop. Only now does he understand what she endured. There is nothing left for him but to become both artist and muse…