A sex- and love-addicted woman learns what real intimacy is when she starts making music with a reclusive man.

In the frenzy before Christmas, two single parents — busy working mom Abby (Lachey) and her son, and overwhelmed lawyer Ryan (Zub) and his daughter — accidentally mix up their toys at a crowded department store. As a result, both of their Christmases appear to be ruined. Although the two can’t stand each other, the only way to get things back on track is to help each other salvage their holiday plans – not realizing they’re falling for each other in the process.

Éric and Patrice have been friends since high school. Over the years, they have both taken very different paths: Éric has become a hedonist, has a string of girlfriends and is always on the look out for a new one; Patrice has become a monogamous father with a very ordered life. After a drunken evening, the two childhood friends find themselves cast back into 1986, when they were 17 years old. This return to the past is a dream opportunity to try to change the path their lives will take. What will they do with this second chance?

Frank Hart is a pig. He takes advantage in the grossest manner of the women who work with him. When his three assistants manage to trap him in his own house they assume control of his department and productivity leaps, but just how long can they keep Hart tied up?

Competing bakery owners, Faye McKenzie and Lydia Harper have been feuding for years with the Lake Shore County Harvest Festival’s annual pumpkin pie bake-off at the center of it all. The winner not only gets bragging rights and a trophy, but a substantial boost to her business, as well. This year, however, the women are passing the torch to their respective children, Casey and Sam, and when romantic sparks fly between them, this bake-off promises to be one to remember.

After a breakup, an influencer takes her friends on a free trip to Bahia’s vibrant Carnival, where she learns life’s not just about social media likes.

An honors graduate in literature, Wyman is stuck writing cheap erotic fiction, but somehow ends up starring in an AV film. Suddenly a porn superstar in Japan, he discovers a whole new world fraught with pleasure, pain and more twists and turns than he or the audience expects.

Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).

Aliens make a follow up invasion attempt on Rural Ohio after years of unsuccessful attempts. This time they’re out for revenge. It’s up to local hillbillies and college kids to defend the world from this alien invasion.

At the start of the first World War, in the middle of Africa’s nowhere, a gin soaked riverboat captain is persuaded by a strong-willed missionary to go down river and face-off a German warship.

The Irish standup on the benefits of hitting his 40s: not feeling the need to watch every Scorsese film and learning to love classical music through the Lurpak butter ad.

Ted Morgan has been treading water for most of his life. After his wife leaves him, Ted realizes he has nothing left to live for. Summoning the courage for one last act, Ted decides to go home and face the people he feels are responsible for creating the shell of a person he has become. But life is tricky. The more determined Ted is to confront his demons, to get closure, and to withdraw from his family, the more Ted is yanked into the chaos of their lives. So, when Ted Morgan decides to kill himself, he finds a reason to live.