A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.
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Reclusive vampires lounge in a lonely American town. They wear sun cream to protect themselves. A descendant of Van Helsing arrives with hilarious consequences.
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Nate, a 19 year old film student, and Margaret, a 52 year old spinster, are best friends in an odd, quirky, totally working kind of way… until Nate’s audacious classmate Darla sets him up on a date with James. Nate’s new life shakes apart his friendship with Margaret, just as she is trying to start a career as a stand-up comedian. Written by Anonymous (IMDB.com).
Memo lives on a remote Chilean sheep farm, hiding a beautiful singing voice from the outside world. A recluse with a glittery flair, he can’t stop dwelling on the past, but what will happen once someone finally listens?
Lonely college student Alex encounters his favorite filmmaker, JP Smith, stalking around his sleepy town in upstate NY. Together they form a precarious relationship, with Alex becoming the star of JP’s latest flick: a lo-fi, vérité depiction of Alex’s life, where the line between reality and fiction slowly becomes obliterated.
Two ‘resting’ actors living in a squalid Camden Flat – and living off a diet of booze and pills – take a trip to a country house (belonging to Withnail’s uncle) to ‘rejuvenate’. Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pairs wits and friendship are tested… Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986’s Bruce Robinson’s Withnail and I is an enduring British cult. Withnail is played by the emaciated but defiantly effete Richard E Grant, “I” (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood’s case sane, until the pubs open. A sojourn in the country cottage of Withnail’s Uncle Monty only redoubles their privations.
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