Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.
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REPARATION is a powerful psychological thriller that swirls like a funnel cloud around Bob Stevens — a small-town farmer with a three-year hole in his memory. When a mysterious stranger, Jerome, shows up claiming to have been his best friend in the Air Force Police, Bob’s peaceful existence begins to unravel from the outside in. Bob’s entire family is caught in the storm — but none more than Bob’s eight year-old daughter, Charlotte, who discovers that she might hold the key to conjuring Bob’s forgotten past. As Charlotte comes to learn, “every time something happens that knocks us out of balance, we try doing something that will knock us back in…” That universal theme of balance is the soul of REPARATION.
The POstables are on a mission to deliver a soldier’s letter from Afghanistan to a teenager who’s being relentlessly bullied, while Oliver’s estranged father surprises him with news that shakes him to his core. Stars Eric Mabius, Kristin Booth, Crystal Lowe and Geoff Gustafson.
In life, there’s silver, and there’s lead, says Rikki Ortega, as he moves to be king of the street in “Ánglio,” L.A.’s east side. Older brothers and a brother-in-law are in his way. While they think they are driving out the Rojas, a local gang that runs the meth trade for bosses in Cabo San Lucas, Rikki is running an elaborate double-cross on his own family. He’s not happy just to run this fratricidal con, he also wants to cash in as much as he can of one hundred kilos of crystal meth that he stole from the Rojas (and the Mexicans), seduce the girlfriend of one of his victims, and stay ahead of a cop who was a childhood friend. Will he end up with the silver?
Sylvester Stallone is fighting the odds again, this time in the wrestling ring. As Cosmo Carboni, he and his two brothers dream of getting out of Hell’s Kitchen (circa 1946) and into the big time. The exit signs point to Paradise Alley, a sleazy private club where the floorshow consists of raucous wrestling matches with big purses. Stallone not only starred in and wrote this action-packed film, he also made his directorial debut in this tale of three guys who could take anything Hell’s Kitchen could dish out.
In 1914, World War I, the bloodiest war ever at that time in human history, was well under way. However on Christmas Eve, numerous sections of the Western Front called an informal, and unauthorized, truce where the various front-line soldiers of the conflict peacefully met each other in No Man’s Land to share a precious pause in the carnage with a fleeting brotherhood.
An introvert realizes he can be whomever he wants to be on the Internet.
Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on a mission and got caught in this world. She travels by bus every day. At the bus-stop, there is a “web camera” which records images and puts them into the Internet. Santiago is a scientist who works in an international research project to detect signs of extraterrestrial intelligence. He is a lonely man who lives with his dog and his computer. Rosalía finds she has some extra-sensory powers and thinks three young women she knows are fairies. They will remarkably influence her life. She also feels the need to meet her father, whom she has not seen since she was 8.
