A young man murders women, using a movie camera to film their dying expressions of terror.
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It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Found at a Catholic hospital filthy and ferocious, feral teenager Darlin’ is whisked off to a care home run by The Bishop and his obedient nuns, where she’s to be rehabilitated into a “good girl” as an example of the miraculous work of the church. But Darlin’ holds a secret darker than the “sins” she is threatened with, and she is not traveling alone. The Woman who raised her, equally fierce and feral, is ever present in the shadows of Darlin’s psyche and is determined to come for her no matter who tries to get in her way.
In the middle of a routine patrol, officer Daniel Carter happens upon a blood-soaked figure limping down a deserted stretch of road. He rushes the young man to a nearby rural hospital staffed by a skeleton crew, only to discover that patients and personnel are transforming into something inhuman. As the horror intensifies, Carter leads the other survivors on a hellish voyage into the subterranean depths of the hospital in a desperate bid to end the nightmare before it’s too late.
In a forgotten pocket of Southern Ohio where American manufacturing and opportunity are drying up, a determined young woman finds a ticket out when she is accepted to college. Alongside her older brother, Ruth Avery joins a dangerous scrap metal crew in order to pay her way. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the once thriving factories by night. With her goal in sight, Ruth finds that the ultimate cost of an education for a girl like her may be more than she bargained for, and she soon finds herself torn between a promising future and the family she would leave behind.
Adapted from the 1951 non-fiction account by psychoanalyst Georges Devereux, “Psychotherapy Of A Plains Indian,” the film follows the true story of Picard (Del Toro), a Plains Indian of the Blackfeet nation, as he returns from WWII and begins experiencing unexplainable symptoms shortly thereafter. He travels to the famous Winter Hospital in Topeka, Kansas, where he meets Devereux (Amalric), thus beginning a professional and personal friendship guided by compassion and understanding of Native American culture.
When high school misfits Rickie and JT decide to ditch school and find themselves lost in the crumbling facility of a nearby abandoned hospital, they come face-to-face with a gruesome discovery: a body of a woman stripped naked, chained to a table and covered in plastic and soon realize she is anything but dead. Quickly the boys find themselves embarking on a twisted yet poignant journey testing the limits of their friendship, and forces both to decide just how far they’re willing to stretch their understanding of right and wrong.
Demonic gang-leader Alex goes on the spree of rape, mugging and murder with his pack of “droogs”. But he’s a boy who also likes Beethoven’s Ninth and a bit of “the old in-out, in-out”. He later finds himself at the mercy of the state and its brainwashing experiment designed to take violence off the streets.
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