Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
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Episodic journey of an Italian journalist scouring Rome in search of love.
France, 1940. In the first days of occupation, beautiful Lucile Angellier is trapped in a stifled existence with her controlling mother-in-law as they both await news of her husband: a prisoner of war. Parisian refugees start to pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers’ own homes. Lucile initially tries to ignore Bruno von Falk, the handsome and refined German officer staying with them. But soon, a powerful love draws them together and leads them into the tragedy of war.
Heaven’s daughter Annie finds herself orphaned and crippled. Whisked off to Farthinggale Manor by Tony Tatterton, Annie pines for her lost family, especially for her half-brother Luke. Without the warm glow of Luke’s love, she is lost in the shadows of despair and forced into submission by nurse Broadfield. When Annie discovers a cottage hidden in Farthinggale’s woods, the mystery of her past deepens. Even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell.
In 1992, on a small island in Hong Kong, a boy fell for Yan crazily searched for her by dozens of unbelievable means. Although every ‘Yan’ he met turned out to be someone else, they did bring life-changing influences to each other. 22 years later, when the story is finally unveiled, middle-aged Yan is deeply moved.
Gajirou Honda is a self-centered man who only cares about money and women. When he’s involved in a car accident, he encounters the ghosts of the deceased occupants of the other car, including the driver and three pole dancers. The four ghosts promise him a large sum of money in exchange for his help fulfilling their last wishes, thus allowing their spirits to pass over to the afterlife.
Wealthy Mary Haines is unaware her husband is having an affair with shopgirl Crystal Allen. Sylvia Fowler and Edith Potter discover this from a manicurist and arrange for Mary to hear the gossip. On the train taking her to a Reno divorce Mary meets the Countess and Miriam (in an affair with Fowler’s husband). While they are at Lucy’s dude ranch, Fowler arrives for her own divorce and the Countess meets fifth husband-to-be Buck. Back in New York, Mary’s ex is now unhappily married to Crystal who is already in an affair with Buck.
During the confusing and conspiratorial Joseon Dynasty King Gwang-hae orders his councilor, HEO Kyun, to find him a double in order to avoid the constant threat of assassination. HEO Kyun finds Ha-sun, a jester who looks remarkably like the king, and just as feared, Gwang-hae is poisoned. HEO Kyun proposes Ha-sun fill the role as the king until Gwang-hae recovers fully and grooms Ha-sun to look and act every bit the king. While assuming the role of the king at his first official appearance, Ha-sun begins to ponder the intricacies of the problems debated in his court. Being fundamentally more humanitarian than Gwang-hae, Ha-sun’s affection and appreciation of even the most minor servants slowly changes morale in the castle for the better. However, his chief opposition, PARK, notices the sudden shift in the king’s behavior and starts to ask questions.
War and Peace delineates in graphic detail events leading up to the French invasion of Russia, and the impact of the Napoleonic era on Tsarist society, as seen through the eyes of five Russian aristocratic families. Portions of an earlier version of the novel, then known as The Year 1805,were serialized in the magazine The Russian Messenger between 1865 and 1867.
