A shocking story about addiction and attempts to overcome it. The script is based on Jerzy Plich’s excellent novel “The Mighty Angel” (alternative title: “The Strong Angel Inn”). Jerzy (Robert Więckiewicz) is a writer and a heavy drinker. We meet him at the point when he believes that he can beat his addiction. He falls in love with a young girl (Julia Kijowska) and finally feels that he has got the person and the reason to live for. But soon he yields to his addiction.
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When Singapore surrendered to the Japanese in 1942 the Allied POWs, mostly British but including a few Americans, were incarcerated in Changi prison. This was a POW detention center like no other. There were no walls or barbed-wire fences for the simple reason that there was no place for the prisoners to escape to. Included among the prisoners is the American Cpl. King, a wheeler dealer who has managed to established a pretty good life for himself in the camp. While most of the prisoners are near starvation and have uniforms that are in tatters, King eats well and and has crisp clean clothes to wear every day. His nemesis is Lt. Robin Grey, the camp Provost who attempts to keep good order and discipline. He knows that King is breaking camp rules by bartering with the Japanese but can’t quite get the evidence he needs to stop him. King soon forms a friendship with Lt. Peter Marlowe an upper class British officer who is fascinated with King’s élan and no rules approach to life…
The story of Dave, a self-proclaimed king. Told in a single breath in one sequence shot.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
A young writer experiences visions during episodes of sleep paralysis, and she retreats with her boyfriend to an isolated house in the desert. As the visions worsen, she teeters on the edge of insanity as she uncovers a life-threatening secret.
The adventures of the young Rémi, an orphan, collected by the gentle Madam Barberin. At the age of 10 years, he is snatched from his adoptive mother and entrusted to the signor Vitalis, a mysterious itinerant musician. Has its sides, he will learn the harsh life of acrobat and sing to win his bread. Accompanied by the faithful dog capi and of the small monkey Joli-Coeur, his long trip through France, made for meetings, friendships and mutual assistance, leads him to the secret of its origins.
Wide-eyed Midwest transplant Stan agrees to play wingman to his calculating and privileged roommate Chad as they embark upon an exploration of glittering New York nightlife, whose darkest secrets are held captive by an elite band of millennials known as Nighthawks.
JULIA covers the 1930s when Lillian attained fame with the production of her play “The Childrens’ Hour” on Broadway. It centers on Lillian’s relationship with her friend, Julia. It’s a relationship that goes beyond mere acquaintance and one for which the word “love” seems appropriate. While Julia attends the University in Vienna, Lillian suffers through revisions of her play with her mentor and sometimes lover Dashiel Hammett. After becoming a celebrated playwright, Lillian is invited to a writers conference in Russia. Julia, having taken up the battle against fascism, enlists Lillian en route to smuggle money through Nazi Germany which will assist in the Anti-Fascist cause. During a brief meeting with Julia on this trip, Lillian learns that Julia has had a child which is called Lilly.
“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.
An orphaned boy in a post-apocalyptic world, meets a grieving woman who is trying to find her lost daughter. Their journey leads them face-to-face with a despot who may have the daughter held captive.