This visually stunning erotic drama follows a young man who finds himself unexpectedly attracted to his handsome, outspoken male professor. Despite — or perhaps because of — his conservative upbringing, Hins is intent on getting close enough to Ming to understand him. It’s an experience that transforms his life and comes to define his adult identity.

Seok-geun, an ex-rollercoaster-designer-turned-taxi-driver, loves his wife, Dam-deok. What he also loves is playing with fire on secret nights out. But Dam-deok’s sudden death leaves Seok-geun miserable and heartbroken. Bong-soo is the boring and prude husband of Seok-geun’s sister, Mi-young. His Italian restaurant business looks lackluster, and so is his marriage, until he meets Jenny, who later gets a job at Bong-soo’s restaurant. Fond of Jenny’s personality and good humor, Mi-young decides to hire Jenny as a housekeeper for her brother, Seok-geun, to keep him company. Will these four people be able to get along with one another?

After receiving a distressing medical diagnosis, a listless young man flees the crushing tedium of Toronto city life, trading it all for the wilderness of the British Columbian Interior. When his whims go awry, he is reduced to petty thievery just to survive. Fearing his misdeeds will catch up with him, he retreats further and further into the woods only to gradually find himself the target of increasingly inexplicable and disturbing manifestations, which point to a frightening truth: he is not alone. Some one or some thing is pursuing him into THE INTERIOR.

Pin-up vixens vs. bloodthirsty zombies, set in post-apocalyptic Hollywood. Imagine a wickedly saucy by invitation-only stage show and posh private peeps in which your every fantasy can come true, fulfilled by the likes of luscious ladies imitating the sex goddesses of yore: Bettie Page, Jayne Mansfield, and Suzie Wong.

When Max makes an preposterous promise to his girlfriend, his chances to fulfilling it seem hopeless when he is dragged onto a cross-country trip with his embarrassing father, Goofy.

Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.

Smart, crude, and in-your-face, Australian comic/actor/equal-opportunity-offender Jim Jefferies is not for the faint of heart. Whether he is lampooning gun control, auditioning disabled actors, or over-sharing sexual experiences, the FXX “Legit” star proves nothing is out of bounds and even less, off limits. Filmed during the Boston run of his recent stand up tour.

Paula McFadden knows: In romance, actors all follow the same stage instruction: Exit. Without warning, her actor boyfriend split today for a movie role and sublet their Manhattan apartment. The new tenant’s name: Elliot Garfield. Profession: actor. Richard Dreyfuss and Marsha Mason deliver comedy, zingy repartee and bitter-to-best romance in The Goodbye Girl.

Three best friends – Alex, Az and Jim – head to Ibiza for their first lad’s holiday. Unfortunately, tagging along is Alex’s unimpressed ex-girlfriend Ellie. Arriving on the island, the lads dump Ellie with Alex’s sister Liz, and her friend Zara, and head to San Antonio to start their week of sun, sea and debauchery. Soon they end up in a club, run by local gangster Karl, where the attractions aren’t all alive – they’re zombies! Due to Jim’s drunken antics the zombies escape, and soon all hell breaks loose and no one on the party island is safe.

As an 11-year-old boy struggles to cope with a disability, he finds a pony who gives birth to a unicorn which he takes care of.

The tale of a curious fox who goes in search of an elusive whale. A journey of pursuit and longing.

Infected by a virus, a mild mannered HR manager attempts to fulfill his overwhelming desire for brains, all while trying to keep it together so as not to incur the wrath of his bridezilla-to-be.