A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.
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Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
Former professional skier Kat works as a ski aid and ski shop worker at Bliss Mountain, where she prepares for a Winterfest to drum up business for the quaint town. Widowed father Ty and his daughter Anna come from New York to train with ski champion (and Kat’s former teammate) Maddy, and quickly connect with Kat when Maddy’s coaching style proves to be too aggressive for Anna. A spark forms between Kat and Ty as Kat coaches Anna and prepares for Winterfest with Ty. When a fall down the hill causes Anna to rethink the race and plan to go home early with Ty, though, Kat may lose both her new relationship and her rekindled confidence as a coach. Kat, Ty and Anna must all look deep within to conquer their fears and push forward.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster’s growing attraction – forbidden in his neighborhood – for a beautiful black girl.
After killing and cannibalizing several men and being found unfit for trial, Regina Stevens desperately tried to convince her psychiatric caregivers that she wasn’t mentally ill, but was in fact slowly becoming a real life zombie.
Like a young bird yet to find the courage to lift its wings, Fúsi (43) lives alone with his mother, where they’ve always lived.
An adaptation of Tao Lin’s beloved cult novel “Taipei”. As one relationship collapses, another blooms for Erin, swept into the world of Paul Chen, a mysterious, charismatic author. When he proposes documenting every aspect of their courtship in an epic laptop-filmed “documentary”, the couple enter into a performative bad romance, fueled by substances and sleepless nights.
A young woman despite the best intentions, heedlessly meddles in people’s romantic affairs as she tries to play matchmaker.
The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka – a despised woman and a worshiped singer.
When Leonard Vole is arrested for the sensational murder of a rich, middle-aged widow, the famous Sir Wilfrid Robarts agrees to appear on his behalf. Sir Wilfrid, recovering from a near-fatal heart attack, is *supposed* to be on a diet of bland, civil suits. But the lure of the criminal courts is too much for him, especially when the case is so difficult: Vole’s only alibi witness is his wife, the calm and coldly calculating Christine Vole. Sir Wilfrid’s task becomes even more impossible when Christine agrees to be a witness not for the defence but for the prosecution.