A black as tar comedy charting the dissolution of a commune for sober living in ’90s suburban New Jersey.
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Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that’s fine with her. But, when Peter’s father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle – and Peter isn’t all that thrilled with the arrangement, either.
A cinema remake of the classic sitcom Dad’s Army (1968). The Walmington-on-Sea Home Guard platoon deal with a visiting female journalist and a German spy as World War II draws to its conclusion.
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While on vacation in rural Wisconsin, five friends seek refuge in a lone building after their vehicle crashes in a vicious snowstorm. With no cell service, the group splits up to find help but when they reunite, one of them is found dead.
Brokeback Mountain is an Ang Lee film about two modern day cowboys who meet on a shepherding job in the summer of ’63. The two share a raw and powerful summer together that turns into a life long relationship conflicting with the lives they are supposed to live.
In the mid-1960s, a group of high school friends who live on the Near North Side of Chicago enjoy life to the fullest…parties, hanging out, meeting new friends. Then life changes for two of the guys when they meet a pair of career criminals and get falsely arrested in connection with stealing a Cadillac. We follow their lives through the end of high school and the dramatic end to their school.
Ryan and Jennifer are opposites who definitely do not attract. At least that’s what they always believed. When they met as twelve-year-olds, they disliked one another. When they met again as teenagers, they loathed each other. But when they meet in college, the uptight Ryan and the free-spirited Jennifer find that their differences bind them together and a rare friendship develops.
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Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.