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Oscar-nominated film adaptation of the rock opera of the same name, based on the last weeks before the crucifixion of Jesus. The film was directed by Norman Jewison. Ted Neeley and Carl Anderson were nominated for two 1974 Golden Globe Award for their portrayals of Jesus and Judas, respectively.
Tanaka is going through a tough time trying to support his younger sister Mitsuko, recently arrested and hold up in jail. As an investigative reporter, he immerses himself into a story about a shocking murder case gone cold. The “perfect” family—successful businessman, beautiful wife and adorable child—was brutally murdered a year ago and the case remains unsolved. Tanaka interviews their friends and acquaintances, and as stories of their true nature unfold, he begins to discover that the family was not as ideal as believed. The interviewees themselves unveil their own hidden natures, revealing a disturbing portrait of social elitism.
Shubei town, southeast China, the present day. Five years after he fled with RMB 800,000 from a bank robbery, Liu Chuan returns incognito to the town. Policeman Wang Laoshi, who was on duty at the time of the robbery and was demoted for letting Liu escape, is working in the same district police station to which he was transferred after the robbery and still keeps an eye on Liu. By chance, Liu stays in some small lodgings in Wang’s district where Qin Xiaosong, a psychology graduate who’s run away from her domineering parents, is staying. Next day, Wang spots Liu in the street and gives chase, finally handcuffing him in a deserted warehouse. At that moment, the town is devastated by an earthquake and the building collapses. Wang is knocked unconscious and Liu steals his uniform. After rescuing Qin, Liu finds himself roped into saving other townspeople and becomes a hero in the locals’ eyes. Meanwhile, Wang recovers and sets out to hunt down Liu.
Roberta is a bored suburban housewife who is fascinated with a woman, Susan, she only knows about by reading messages to and from her in the personals section of the newspaper. This fascination reaches a peak when an ad with the headline “Desperately Seeking Susan” proposes a rendezvous. Roberta goes too, and in a series of events involving amnesia and mistaken identity, steps into Susan’s life.
Mary and Joseph make the hard journey to Bethlehem for a blessed event in this retelling of the Nativity story. This meticulously researched and visually lush adaptation of the biblical tale follows the pair on their arduous path to their arrival in a small village, where they find shelter in a quiet manger and Jesus is born.
The title is not just a slang word but a hip new attitude, importantly a fresh perspective on life. YZ is a coming-of-age comedy about a 33-year-old who is trapped between the identity of a boy and a man.
Fatima is a Toronto-born modern muslim girl raised in a family of mixed-cultures and mixed messages about what her role in the world is. She gets sucked into the empowering world of a sexy Burlesque cabaret, and unleashes her brave and confident Burlesque identity, “Babylon”. Then she must reconcile her old self with her new.
In the 1970s, a foundling lad, Patrick “Kitten” Braden, comes of age by leaving his Irish town for London, in part to look for his mother and in part because his trans-gender nature is beyond the town’s understanding.
Biarritz. 16 year-old George, the high-school hottie, falls in love with Alex. To get his attention, she initiates a group game with Alex, Nikita, Laetitia and Gabriel. They will discover, test, and push the limits of their sexuality.
