A movie about a young honors student-turned-anarchist, Puck, and his group of anarchist friends living peacefully in a Dallas commune until a nihilist, Johnny Black, appears with The Anarchist Cookbook and completely destroys their way of life.
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By 2017, the global economy has collapsed and American society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
Steve, a young professional snowboarder, ruins a high-paying photo shoot by playing a silly prank. He, his girlfriend Branka and fellow snowboarder Joschi are left behind on the mountain. They seek shelter in an après-ski tavern that is hosting an all-night party. Things go from bad to worse when a scientific experiment unleashes an epidemic of zombies and mutant wildlife. This is mostly lost on the local drunkards, as they are not always easy to distinguish from zombies themselves. But Steve, Branka and Joschi have to find a way to survive this hellish night.
On a prom-night dare, a trio of high school friends chant an incantation, unleashing an evil spirit from the past with deadly consequences.
In late spring, 1890, Vincent moves to Auvers-sur-Oise, near Paris, under the care of Dr. Gachet, living in a humble inn. Fewer than 70 days later, Vincent dies from a self-inflicted gunshot wound. We see Vincent at work, painting landscapes and portraits. His brother Theo, wife Johanna, and their baby visit Auvers. Vincent is playful and charming, engaging the attentions of Gachet’s daughter Marguerite (who’s half Vincent’s age), a young maid at the inn, Cathy a Parisian prostitute, and Johanna. Shortly before his death, Vincent visits Paris, quarrels with Theo, disparages his own art and accomplishments, dances at a brothel, and is warm then cold toward Marguerite.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.
Two aging film actresses live as virtual recluses in an old Hollywood mansion. Jane Hudson, a successful child star, cares for her crippled sister Blanche, whose career in later years eclipsed that of Jane. Now the two live together, their relationship affected by simmering subconscious thoughts of mutual envy, hate and revenge.
In the occupied Netherlands during World War II, banker Walraven van Hall (Barry Atsma) is asked to use his financial contacts to help the Dutch resistance. He doesn’t have to think about it for long. With his brother Gijs van Hall (Jacob Derwig), he comes up with a risky plan to take out huge loans and use the money to finance the resistance. When this proves not enough, the brothers set about committing the biggest banking fraud in Dutch history, taking tens of millions of guilders out of the Dutch Central Bank – right under the noses of the Nazis. But the bigger the operation gets, the more people it involves. And every day brings a bigger risk of someone making that one mistake that could put an end to the whole business – and the lives of the resistance bankers.
When an acclaimed music producer goes off his medication for schizophrenia, his friends chase him though the LA music scene to help commit him to a psychiatric hospital, revealing the troubling inadequacies of our mental health care system.
Mia Roarke is an actress quickly approaching 40. She’s had her moment in the spotlight and now struggles to get back to where she once was. Or anywhere. Mia can’t catch a break, and in the cutthroat world of The Business, Mia is her own worst enemy. No matter how hard she tries, she’s competing in a younger woman’s world and she can’t get used to the idea that she’s ‘too old’ and no longer viable. Her agent wants to get rid of her, she’s got a controlling mother she supports and an ex husband who is poised for stardom. Then, a strange and humiliating turn of events gives her the chance to come back into the spotlight.
