Rick, a down-and-out American boxer, is hired to transport a sword to Japan, unaware that the whole thing is a set up in a bitter blood-feud between two brothers, one who follows the traditional path of the samurai and the other a businessman. At the behest of the businessman, Rick undertakes samurai training from the other brother, but joins his cause. He also becomes romantically involved with the samurai’s daughter.
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Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.
Samao Daikoku’s (Shota Sometani) family register was taken which keeps him from escaping the underground life that he has led. To get away once and for all, Samao Daikoku breaks into Daikichi Ebisu’s (Kiyohiko Shibukawa) coin locker to steal gold. Daikichi Ebisu is involved in a criminal organization. In the locker, Samao Daikoku finds a hard disk containing personal information on runaways, homeless people, bankrupt people and prostitutes. He hides the hard disk, but is locked up by Daikichi Ebisu. There, he sees a prostitute, Ami Nanmu (Erina Mizuno) and he also faces an evil gang boss, Kan Senju (Gou Ayano). Samao Daikoku is tortured by the gang boss. The mystery behind Samao Daikoku’s past is revealed.
A woman is forced to go on the run when her superhuman abilities are discovered. Years after having abandoned her family, the only place she has left to hide is home.
A former pro-wrestler is hired to be the bodyguard/nanny for a couple of bratty kids whose inventor father is being stalked by a rival.
In a near-future, darknet grifter Dougie is recruited to work security at a refugee detention centre. There, he is drawn into an underground operation blackmailing detainees to fight for profit. When tragedy strikes courageous fighter Azad, Dougie locates his hitherto dormant conscience and takes a stand.
A sex-addicted con-man pays for his mother’s hospital bills by playing on the sympathies of those who rescue him from choking to death.
Two brilliant, but dull, scientists set out to invent a love potion, but failing in that they attempt to create the ultimate artificial woman with stunning results. Only problem is their new creation only has eyes, and lust, for busty next door neighbor.
The hero, Hyakkimaru is a wandering “demon hunter” whose extra body parts — 48 to be exact — were grafted onto his head and trunk by a herb doctor who discovered him as an infant, in a process that echoes “Frankenstein” and “The Island of Dr. Moreau.” His warlord father gave the originals to 48 demons in exchange for power. When Hyakkimaru kills a demon, he wins back a body part. He is spotted in one of these battles, with a giant spider demon, by Dororo, a scrappy female thief who is fascinated by not only Hyakkimaru’s prowess with the sword blade poking out of his arm but the new leg he grows after dicing his opponent. Is he a man — or a monster? After hearing his story from an old minstrel, she decides to join him on his travels and find out for herself.
A film about a trio of misfits whose irreverent, sexually charged dynamic evolves into a surprising love story as their spontaneous and flippant attitude towards the past or future backfires time and again, even as they inadvertently perform good deeds. When they make enemies with a gun-toting hairdresser, their journey becomes one of constant escape from the law, from society and from the hairdresser, all while the bonds of their outsider family strengthen.
After taking a new form of ecstasy, a psychopath goes through a mind bending trip causing him to feel and question his morality for the first time.
It’s been many years since Freddy Krueger’s first victim, Nancy, came face-to-face with Freddy and his sadistic, evil ways. Now, Nancy’s all grown up; she’s put her frightening nightmares behind her and is helping teens cope with their dreams. Too bad Freddy’s decided to herald his return by invading the kids’ dreams and scaring them into committing suicide.
An adaptation of celebrity chef Nigel Slater’s bestselling memoir, ‘Toast’ is the ultimate nostalgic trip through everything edible in 1960’s Britain. Nigel’s mother was always a poor cook, but her chronic asthma and addiction to all things canned does not help.
