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Stuck in COVID-19 lockdown, US comedian and musician Bo Burnham attempts to stay happy by writing, shooting and performing a one-man comedy special whilst going through struggles within his personal life.
Beyoncé and Jay Z perform live in Paris at Stade de France during their 2014 “On the Run Tour.”
A personal, accessible look at an artist – Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal – whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he’s forced to reconsider the future of the band, begging the question – is this really worth it?
Part concert, part documentary, this film follows the band’s preparations in the re-staging of their acclaimed collaboration, So It Goes, with the artist Liam Gillick and the 12-piece synthesizer orchestra that spectacularly captured the headlines during Manchester International Festival 2017. The complexities extend beyond the technical and logistical: this is a band that rarely looks backward, yet for this project, they had to reflect on – and deconstruct – the band’s history, in order to create something very new. Written by SHOWTIME
The ambitious punk rocker Max and the eco-activist Inge cannot stand each other, ever since Max publicly exposed her by singing the offensive song “When Inge is Dancing” in front of the whole school. But for Max and his classmates Fabio, Joscha and Lukas this song in particular has become a real hit at school as well as in the regional music scene: Their band called Systemfehler is on the verge of a breakthrough. But just before the important gig, which could get them a record deal, guitarist Josha is injured and can’t play. Inge happens to be an excellent guitarist, and the only person who can fill in at such short notice. But when Max asks for her help, she imposes one non-negotiable condition: If she decides to play with the band, they will not perform the song “Wenn Inge tanzt”.
The Banjo Project is a cross-media cultural odyssey: a major television documentary, a live stage/multi-media performance, and a website that chronicle the journey of America’s quintessential instrument—the banjo—from its African roots to the 21st century. It’s a collaboration between Emmy-winning writer-producer Marc Fields and banjo virtuoso Tony Trischka (the Project’s Music Director), one of the most acclaimed acoustic musicians of his generation.
Soul Power is a 2008 documentary film about the Zaire 74 music festival in Kinshasa which accompanied the Rumble in the Jungle heavyweight boxing championship match between Muhammad Ali and George Foreman in October 1974. The film was made from archival footage; other footage shot at the time focusing on the fight was edited to form the film When We Were Kings.
When a young woman meets an aspiring saxophonist in her father’s record shop in 1950s Harlem, their love ignites a sweeping romance that transcends changing times, geography, and professional success.
Comedy – The chaotic journey of the artistic pursuit, capturing the vibrant underground art and music scenes that make Los Angeles one of the most enigmatic cities in the world. – Joey Baldwin, Carlotta Elektra Bosch, Jere Burns