She’s the most beautiful, most short-sighted, most sentimental, most perplexing, most obstinate, most untrustworthy and most troubling of heroines. The lady in the car has never seen the sea. On the run from the police, she keeps telling herself that she’s not crazy… Only…
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Kate and Matt discover that a part of their house can grant wishes. In the wake of several miscarriages, what they want most is a child.
A fictionalised exploration of Beethoven’s life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna’s assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.
Three young people arrive from different parts of the country to go to college in Sao Paulo. On their first day there, a strange and intense attraction unites them. Together, they rent an apartment and begin living together, in close quarters. Sharing kisses and fond embraces. They exchange words of endearment with the naturalness of ordering a sandwich at a diner. They threaten to break up and the next moment they are all laughing together again. College days however soon come to an end and, with each having different paths to trail, separation is imminent. And consequently, their gestures, words and attitudes take on a new weight. Touching each other now takes on a new significance. Words of love are weighed down by consequences.
Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.
Avi Brickman is a middle-aged man still broken from the tragic death of his eight-year-old daughter five years earlier. When he is suddenly fired from his job, a thin threaded lifeline to his shattered existence, he decides to kill himself in the very home where the accident occurred. However, when he arrives at the isolated house in the woods, he finds a woman and her young daughter taking shelter there. During one long night, in his confused state of mind, he is haunted by the ghosts of his past as he confronts his guilt and pain to a cathartic and unexpected conclusion.
Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.
In this classic of French suspense, the cruel and abusive headmaster of a boarding school, Michel Delassalle, becomes the target of a murder plot hatched by an unlikely duo — his meek wife and the mistress he brazenly flaunts. The women, brought together by their mutual hatred for the man, pull off the crime but become increasingly unhinged by a series of odd occurrences after Delassalle’s corpse mysteriously disappears.
Deciding that her chances are better on the streets, Grace journeys out into the unknown travelling down a long, hard road, discovering the good and the bad of human nature along the way.
Masha (37) is in an overwhelming relationship with Luuk, father of two and separated. Nothing seems to stand in their way until Luuk turns incurably ill, leaving Masha without status.
A mentally ill young woman finds her love in an eccentric man who models himself after Buster Keaton.