After a group of young revolutionaries break into a company’s corporate headquarters and steal $5,000,000 worth of heroin to keep it off the street, they call on San Francisco Police Lieutenant Virgil Tibbs for assistance.
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This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft – even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as “the hidden gem of the year”. It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.
Set in the year 2024 in post-apocalyptic America, 18-year old Vic and his telepathic dog Blood are scavengers in the desolate wilderness ravaged by World War 4, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats.
In the hazy aftermath of an unimaginable loss, Sarah and Phil come unhinged, recklessly ignoring the repercussions. Phil starts to lose sight of his morals as Sarah puts herself in increasingly dangerous situations, falling deeper into her own fever dream.
After 12 years in prison, former high school football star Eddie Palmer returns home to put his life back together—and forms an unlikely bond with Sam, an outcast boy from a troubled home. But Eddie’s past threatens to ruin his new life and family.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all accounts, Jack Sommersby was not a pleasant man, thus when he returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart…
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
In a film based on actual events, teenagers Nathan Leopold Jr. (Craig Chester) and Richard Loeb (Daniel Schlachet) share a dangerous sexual bond and an amoral outlook on life. They spend afternoons breaking into storefronts and engaging in petty crimes, until the calculating Nathan ups the ante by kidnapping, and murdering, a young boy. When the body is found, all evidence leads to Nathan and Richard, whose strange relationship makes the case one of the most talked-about trials of the 1920s.
The film follows the journey of Kitty, the imaginary friend to whom Anne Frank dedicated her diary. A fiery teenager, Kitty wakes up in the near future in Anne Frank’s house in Amsterdam and embarks on a journey to find Anne, who she believes is still alive, in today’s Europe. While the young girl is shocked by the modern world, she also comes across Anne’s legacy.
