Sexy secret agents go undercover (and under the covers) at an erotic magazine to catch a saboteur.
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The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend’s mistress.
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Serial commitment-phobe, Dave, is reeling from his decision to break up with his near perfect, now ex-girlfriend. As he tries to forget her, his battling inner voices come to life and cloud his mind with conflicting desires. Meanwhile, Carrie’s own disjointed inner voices push her to move on with someone less complicated. Sensing time is short, Dave embarks on a sincere and sometimes fumbled personal journey to conquer his fear of commitment.
Decades since their successful television series was canceled, Chip has succumbed to a life of suburban domesticity as an insurance salesman. Dale, meanwhile, has had CGI surgery and works the nostalgia convention circuit, desperate to relive his glory days. When a former cast mate mysteriously disappears, Chip and Dale must repair their broken friendship and take on their Rescue Rangers detective personas once again to save their friend’s life.
After years of putting her career ahead of love, stand-up comic Andrea Singer has stumbled upon the perfect guy. On paper, he checks all the boxes but is he everything he appears to be?
Jennifer and Meg Swift are two sisters who are very close despite living far apart. Jennifer is in Salt Lake City, running a successful restaurant she started with her late husband and raising her teenaged son Simon, Meg stayed in their hometown of Hazelwood, helping their parents run the local bakery.
Two sailors, Joe (Kelly) and Clarence (Sinatra) have four days shore leave in spend their shore leave trying to get a girl for Clarence. Clarence has his eye on a girl with musical aspirations, and before Joe can stop him, promises to get her an audition with José Iturbi. But the trouble really starts when Joe realizes he’s falling for his buddy’s girl.
Shakespeare’s comedy about two couples in love with the wrong partners, and how they are finally brought together rightly, thanks in part to the bungling work of Puck. It is completely in the language of the Bard, with Pfeiffer as the Fairy Queen and Kline as the one turned into her evening’s lover with donkey ears.
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