A college professor travels to New York City to attend a conference and finds a young couple living in his apartment.
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A military officer in command of a drone operation to capture terrorists in Kenya sees her mission escalate from “capture” to “kill” just as a nine-year old girl enters the kill zone.
In the 14th century a village seeking escape from the Black Death are guided by a boy’s vision to tunnel into an abandoned mine and emerge into 20th century New Zealand.
In 1991, the Government of India opened up the economy and unleashed the forces of globalization, forever changing the landscape of the country. A dozen years later, India was celebrating its emergence as a global economic super power. Set in 2004, in the midst of a nationwide ‘India Shining’ campaign, the film Mantra tells the intimate story of a family and its travails, and through it, the story of the New India. The protagonist of the film is Kapil Kapoor, the founder of an iconic Indian snack brand in the ‘License Raj’ old India. But today – in 2004 – he is fighting a losing battle against a multinational that has taken over the market. But it is not just his company that Kapil is desperately trying to save; it is also his own wife and children who are battling their own crises.
In a near future, the world order has changed. With its 10 millions of unemployed citizens, France has now become a poor country. Its people wavers between rebellion and resignation and find an outlet in the shape of TV broadcast ultra brutal fights in which the players are legally doped and unscrupulous.
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, Libby, also has a talent for dancing and adds her to his act. Harley, the theater patron who never knew Libby took his gold cigarette case, is impressed by Libby’s dancing and invites her to bring Charles and the other buskers in his group to an after-the-play party. Libby comes alone. A theatrical career is launched.
A cop clashes with his priest brother while investigating the brutal murder of a young prostitute
After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.
A Los Angeles journalist befriends a homeless Juilliard-trained musician, while looking for a new article for the paper.
On New Year’s Eve, inside a police station that’s about to be closed for good, officer Jake Roenick must cobble together a force made up cops and criminals to save themselves from a mob looking to kill mobster Marion Bishop.
After World War II Larry learns that his flying buddy Mike will only live a short time despite the efforts of the doctors. He takes on a profitable flying job for profiteers Maris to finance a good time for his buddy. As the plane takes off he shoves Maris’ secretary Susan on board. When Mike falls for her, Larry tells her to play along for Mike’s sake. She, of course, falls for Larry.
North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: “the debut of the decade”. As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.
