Tired of being invisible in a bland marriage, Emma moves in with her son Elliot in his loft in downtown LA. Elliot is a chef at a lackluster Chinese restaurant facing foreclosure. Also, he’s gay – and Emma’s distaste and denial over this has made strangers of mother and son. But the two need each other now more than ever, and as Emma indulges herself with the encouragement of a saucy new friend, and Elliot confronts his fears of intimacy, the pair find ways to communicate, with food where words fail.

THE MISSING GIRL tells the story of Mort, the lonely and disillusioned owner of a comic book shop, and Ellen, the emotionally disruptive graphic novelist he’s hired. The story involves the search for a girl who isn’t missing and the discovery that it’s never too late for late bloomers.

After the “mysterious” death of a colleague, the doldrums of office life at DanRick Designs are given a surprise resuscitation when Miles Fuller and Dylan Kirkpatrick discover they are the lead candidates for a promotion. The timing of the advancement opportunity couldn’t be more ideal for the entry-level employees. The Tech Center where Miles’ voluntarily teaches inner city teens is low on funds, and Dylan is desperate to purchase the home his deceased father built by hand, before his mother is manipulated by his weasel stepdad to put it on the market. The pay increase from the promotion could resolve their dilemmas, except only one of them can win the job.

Everybody knows that your life is a story. But what if a story was your life? Harold Crick is your average IRS agent: monotonous, boring, and repetitive. But one day this all changes when Harold begins to hear an author inside his head narrating his life. But when the narration reveals he is going to die, Harold must find the author and convince them to change the ending.

Wilby Daniels, a successful lawyer running for District Attorney, suddenly finds himself being transformed into an English sheepdog. Somehow he has to keep his change a secret and find just what is causing it, all the while eluding the local dog catcher.

TV child star of the ’70s, Dickie Roberts is now 35 and parking cars. Craving to regain the spotlight, he auditions for a role of a normal guy, but the director quickly sees he is anything but normal. Desperate to win the part, Dickie hires a family to help him replay his childhood and assume the identity of an average, everyday kid.

Centers around the lives of Victoria, Zenobia, Clevon, and Phil — all friends approaching the age of 35 and struggling to build the families they’ve always dreamed of. While Zenobia (Nicole Ari Parker) is still looking for a man, Victoria (Tamala Jones) is married to a man who doesn’t want children. Clevon (Kevin Hart), meanwhile, is too geeky to get a woman, and Phil (Keith Robinson) is already married with children, but his wife is not very interested in being a mother. All four of them try to rectify their romantic lives and futures while their biological clocks tick away.

After spending eight months in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife.

Newly single, 35, and uninspired by his job, Jesse Fisher worries that his best days are behind him. But no matter how much he buries his head in a book, life keeps pulling Jesse back. When his favorite college professor invites him to campus to speak at his retirement dinner, Jesse jumps at the chance. He is prepared for the nostalgia of the dining halls and dorm rooms, the parties and poetry seminars; what he doesn’t see coming is Zibby – a beautiful, precocious, classical-music-loving sophomore. Zibby awakens scary, exciting, long-dormant feelings of possibility and connection that Jesse thought he had buried forever.

Unadventurous office worker Hannah and her childhood friend Trixie’s world is turned upside down when the ghost of her late sister appears; guiding them on a road trip to scatter her ashes at a destination she once sought but never found. What starts off as a simple journey turns into an unpredictable adventure and the two friends must overcome their sheltered existence and find out who they really are and what they are truly capable of.

In the year 2043, an evil crime lord (The General/M. Bison) is trying to take over the world. Only one government official stands in his way, and plans to send him to prison, so The General and his minions Kent (Ken), Thai King (Sagat), and Toyota (E. Honda) travel to the year 1993 to kill the official before he has a chance to get into office. During a battle with The General’s minions, the Future Cops Lung (Ryu), Broom Man (Guile), Ti Man (Vega), and Ah-Sing (Dhalsim) hear of their evil plan and devise a plan of their own to travel back in time to protect the official.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.