The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.

Kyung-chul is a dangerous psychopath who kills for pleasure. He has committed infernal serial murders in diabolic ways that one cannot even imagine and his victims range from young women to even children. The police have chased him for a long time, but were unable to catch him. One day, Joo-yeon, daughter of a retired police chief becomes his prey and is found dead in a horrific state. Her fiance Soo-hyun, a top secret agent, decides to track down the murderer himself. He promises himself that he will do everything in his power to take bloody vengeance against the killer, even if it means that he must become a monster himself to get this monstrous and inhumane killer.

Evil Mr.Grimes keeps a rag-tag bunch orphans on his farm deep in a swamp in the US South. He forces them to work in his garden and treats them like slaves. They are watched over by the eldest, Molly. A gang in league with Mr. Grimes kidnaps Doris, the beautiful little daughter of a rich man, and hides her out on Grimes’ farm, awaiting ransom. When the police close in, and Mr. Grimes threatens to throw Doris into the bottomless mire, Molly must lead her little flock out through the alligator-infested swamp.

Unable to face his new reality in a wheelchair, Ángel develops a deadly obsession with the woman who left him and unleashes a sinister revenge plot.

After months without pay, the already disgruntled crew on a Turkish cargo ship arrives in an Egyptian port and learns that the Port Authority is foreclosing on them. Ordered to anchor offshore, the remaining skeleton crew has their passports seized and must maintain the vessel until its owner’s debts are paid. Tensions quickly arise between the authoritarian Cypriot captain, his devoutly religious second-in-command, an affable cook, and a trio of newcomers to the ship—a pair of druggie ne’er-do-wells and the near-mute, hulking Kurd. As months pass, food and entertainment dwindle, alliances shift, and the men take out their raw frustration on one another.

In 1994 South Korea, a female North Korean spy integrates herself as a housekeeper for U.S. military officer to steal classified documents, but soon worries about her cover when she falls for the teenage son of the officer.

Eero is a writer, whose career is in a downward spiral, and he is badly struggling to write his new novel. Pihla is an ambitious actress on the verge of an international breakthrough. Neither of them is willing to sacrifice their careers even though their relationship is doing worse than ever. Eero ends up resorting to unusual and even desperate measures in order to get his career going again. The determined Pihla decides to juggle her career with her new role as a mother. But is there room in their relationship for these grandiose plans of theirs? Eero and Pihla go their separate ways to find answers from distant places such as Havana, the Atlantic Ocean, Hollywood, and Lapland.

After learning he must undergo brain surgery that will render him deaf, Marcus, an audio-obsessed high school senior, decides to seize control of his fate by recording the Ultimate Playlist of Noise — a bucket list of all his favorite sounds.

Suresh wants to be a big dancer to fulfill his mother’s wish. Vinnie wants to be the best hip-hop dancer. They are childhood friends. They form a team and participate in a national level competition “Hum Kisi Se Kum Nahin” where they are disqualified as their moves are copied and everyone calls them cheaters. Everyone departs to search for jobs. Suresh plans to remove the negative tag by winning the hip-hop competition in Las Vegas. One day he watches Vishnu dance in the bar and convinces him to be their choreographer. They audition for people and collect the team.

Lai and his boyfriend, Ho, arrive in Argentina from Hong Kong, seeking a better life. Their highly contentious relationship turns abusive and results in numerous break-ups and reconciliations. When Lai befriends another man, Chang, he sees the futility of continuing with the promiscuous Ho. Chang, however, is on his own personal journey and, ultimately, both Lai and Ho find themselves far from home and desperately lonely.

Joely Richardson plays a con artist who changes identities faster than most women change hair color. Going on the lam with her daughter (Hayden Panettiere), she scams her way into a prosperous marriage and, when that union sours, pulls off a murder scheme that may be her very last con.

A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn’t all it’s cracked up to be.