A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
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Filmed at Miami’s Fillmore Theater, Bill Maher’s latest stand-up special sees the acclaimed comedian, host, and satirist take the stage for a hilarious and scathing hour of his signature commentary on the latest hot-button issues.
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Robin Hood comes home after fighting in the Crusades to learn that the noble King Richard is in exile and that the despotic King John now rules England, with the help of the Sheriff of Rottingham. Robin Hood assembles a band of fellow patriots to do battle with King John and the Sheriff.
When a sly magician casts a spell so that he can buy Goldy, the last Golden Bear, Jesse runs away with her pet. Hiding deep in the heart of the forest, the youngster meets a ‘Ghostman’ who believes all animals should be free.
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One hundred superstar comedians tell the same very, VERY dirty, filthy joke–one shared privately by comics since Vaudeville.
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