A Texas cop (Kevin Kline), whose own daughter might have been forced into sexual slavery, joins forces with a Mexican youth (Cesar Ramos) to find the boy’s sister, who was abducted and forced into prostitution. Meanwhile, a Ukrainian woman who was promised a better life in America also becomes a victim.
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Ryo Morinaka is a university student and works part-time at a bar. He is bored with his daily life and exists in a state of torpor. One day, his friend Shinya Tajima brings the owner of a host bar over to the place where Ryo Morinaka works. Shizuka Mido is the owner of the host bar. Soon, Ryo Morinaka begins to work for Shizuka Mido at the members only host bar. He feels embarrassment initially, but he fulfills the desires of women and develops a sense of purpose.
In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the “real” world.
A blue-collar family man breaks the promise he’d made to never fight again. Now forty years old, with a wife and four children who need him, Joe Carman risks everything to go back into the fighting cage and come to terms with his past.
Fresh off the success of her first horror novel, Jessie is revered by the literaly world as the next Stephen King. While her editor anxiously awaits her next novel, she is suffering from writer’s block. Out of fear of becoming a one-hit novelist, Jessie ventures to her deceased aunt’s cabin in the woods to find inspiration for her new book. Having not visited in many years, Jessie has no memory of her childhood summers at the cabin or her time spent in the surrounding woods. But when darkness falls on Jessie’s first night alone in the cabin, her memories begin to awaken. A dark presence resides here; one that seems to be watching Jessie every move and one that she has always been afraid of. A series of erotic, bizarre and terrifying events that force Jessie to question her own reality.
One fateful night in a small English regional theatre during World War II a troupe of touring actors stage a production of Shakespeares King Lear. Bombs are falling, sirens are wailing, the curtain is up in an hour but the actor/manager Sir who is playing Lear is nowhere to be seen. His dresser Norman must scramble to keep the production alive but will Sir turn up in time and if he does will he be able to perform that night? The Dresser is a wickedly funny and deeply moving story of friendship and loyalty as Sir reflects on his lifelong accomplishments and seeks to reconcile his turbulent friendships with those in his employ before the final curtain.
A group of unlikely companions receive a radio call leading to a deserted house with a grisly past. After exploring the house, the group makes the foolish decision to split up, leading to a trail of death and destruction as the house unleashes its deadly past. Along the way expect severed heads, exploding light bulbs, demonic clown dolls, and creepy children.
A man on deathrow wants to taste “doenjang jjigae” (a spicy Korean bean paste stew) before he dies. Television producer Choi Yu-Jin (Ryoo Seung-Ryong) hears of the inmate and researches his story for an upcoming news report. Choi Yu-Jin then comes across a mysterious woman named Jang Hye-Jin (Lee Yo-Won) who makes doenjang jjigae that brings tears of joy to those who tastes her recipe. As Choi Yu-Jin delves further, he learns of Jang Hye-Jin’s heart breaking relationship with Kim Hyun-Soo (Lee Dong-Wook).
Thirty-four years after his death, Airman William H. Pitsenbarger, Jr. (“Pits”) is awarded the nation’s highest military honor, for his actions on the battlefield.
