Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.

A micro-budget movie crew treks into the wilderness to shoot horror scenes for their unsellable indie-drama. They soon find themselves in the midst of their own real horror movie, as they are hunted by a large group of creatures.

Henelotter up’s the ante in the final part of his trilogy by introducing a new member to the family; the potentially monstrous fruit of hideously deformed Belial’s loins. With the pair still enjoying relative anonymity and comfort in their new found home (presided over by Granny Roth), things however take a downward turn on a trip to the Georgia Clinic of Uncle Hal, which leads to an encounter with an especially nasty redneck sheriff and his similarly blinkered band of merry men.

Millionairess actress-singer Marie Coleby (Deborah Couls) lives in a luxurious villa on a deserted beach. One afternoon following a TV commercial shoot at the villa she incites gardener Gordon Mason (Chard Hayward) to mayhem and murder. The unexpected arrival of Marie’s sister Jenny Nolan (Louise Howitt) hinders Mason’s attempts to dispose of the body. He then decides to kill Jenny. But she is equally determined to stay alive … so begins a battle of wits. Jenny’s salvation seems at hand when two security men arrive at the villa, but only one, Officer Collings (Roger Ward) survives the initial siege. Then Jenny is alone to face Mason for the final time …

Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.

An American journalist in Prague searches for his girlfriend who has suddenly disappeared.

No overview found.

In 1989, the schizophrenic son of a serial killer is remanded to house arrest after attacking a man, but when his allegedly-slain father reappears to him and threatens to resume killing, he must grapple with the question of what is real and how he will survive.

EeBee the Evil Bong is back. And she’s stoner – er – stronger than ever. With Larnell, Sarah Leigh, Rabbit, Velicity and a lobotomized Gingerdead Man trapped in The Bong World for good, she once more sets about her plan for world domination.

A giant alien mosquito-type insect is drawn to earth from the CO2 pollution in search of blood. Del, a government agent, loses loved ones to the creature and is on a personal vendetta while the Dr. Kempler is captivated by it and attempts to help the creature cleanse the earth.

From the makers of The Last Exorcism comes a boldly original vision of horror. What if the most chilling novel of all time was actually based on a true account of a horrific experiment gone awry? When he is suspended from his university job for his outlandish ideas, Professor John Venkenheim leads a documentary film crew to the rim of the Arctic Circle in a desperate effort to vindicate his academic reputation. His theory: Mary Shelley’s ghastly story, “Frankenstein,” is, in fact, a work of non-fiction disguised as fantasy. In the vast, frozen wilderness, Venkenheim and his team search for the legendary monster, a creature mired in mystery and drenched in blood. What they find is an unspeakable truth more terrifying than any fiction…a nightmare from which there is no waking.

As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.