Set in early 19th century Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.

A high school swim champion with a troubled past enrolls in the U.S. Coast Guard’s ‘A’ School, where legendary rescue swimmer, Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.

Directed by Richard C. Sarafian, this 1969 British children’s film stars Mark Lester as a young boy, unable to speak, who befriends both a wild colt with blue eyes and a falcon named “Lady”. The cast also includes John Mills, Gordon Jackson and Sylvia Sims.

A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.

Jack and Caroline are a couple making a decent living When Jack suddenly loses his job. They agree that he should stay at home and look after the house while Caroline works. It’s just that he’s never done it before, and really doesn’t have a clue…

A young girl’s faith is tested, when her parents are suddenly killed in a car accident and she’s forced to move in with relatives who don’t share her belief in God. A talented singer, who desires to worship God with her songs, she finds herself in a new city, a new school and no friends. With her uncle and others at school challenging her faith, one boy emerges, who seems to see the greatness in her. Now she must come to grips with either fitting in or following God – which could cost her more than just her faith.

In the present days, Maria Spielrein and Fraser are in Russia making a research about the life of Sabina Spielrein. In the beginning of the Twentieth Century, this Russian girl was a patient treated by Dr. Jung and later they fall in love for each other and Sabina became his lover. While the researchers read the documents, the romance between Sabina and Dr. Jung is disclosed, in a time of revolution and war.

In 1917, outside the parish of Fátima, Portugal, a 10-year-old girl and her two younger cousins witness multiple visitations of the Virgin Mary, who tells them that only prayer and suffering will bring an end to World War I. As secularist government officials and Church leaders try to force the children to recant their story, word of the sighting spreads across the country, inspiring religious pilgrims to flock to the site in hopes of witnessing a miracle..

A fidgety, wisecracking video store clerk develops a fixation on a particularly reclusive customer, a frequent visitor to the pornography section of Cinefile, the video store where he works in Los Angeles. After multiple failures to impress her during their brief daily transactions, he finds her street address in the store’s database, drives to her apartment building and initiates an unconventional campaign to win her affections.

Joe Moore has a job he loves. He’s a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman reneges on the money he’s owed, and his wife may be betraying him with the fence’s young lieutenant. Moore and his partner, Bobby Blane and their utility man, Pinky Pincus find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.

David Hare concludes his trilogy of films about MI5 renegade Johnny Worricker with another fugue on power, secrets and the British establishment. Johnny Worricker goes on the run with Margot Tyrell across Europe, and with the net closing in, the former MI5 man knows his only chance of resolving his problems is to return home and confront prime minister Alec Beasley.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.