If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

A black, grieving ex-pastor saves the life of the white man that killed his wife.

With his life already in shambles — his girlfriend just dumped him, he’s lost his acting gig, and his cat is seriously ill — sad-sack Jimmy Zoole (Steve Guttenberg) comes home New Year’s Eve to find a gay burglar (Lombardo Boyar) looting his apartment. Taking the intruder hostage, Jimmy threatens to unleash his pent-up rage on the would-be thief but instead begins to bond with his captive.

When an Amacor oil rig in the Gobi Desert of Mongolia proves unproductive, Captain Frank Towns and copilot “A.J.” are sent to shut the operation down. However, on their way to Beijing, a major dust storm forces them to ditch their C-119 Flying Boxcar in an uncharted area of the desert.

A group of scientists in San Francisco struggle to stay alive in the aftermath of a plague that is wiping out humanity, while Caesar tries to maintain dominance over his community of intelligent apes.

Peter Hammer moves to Kennedy high school in an upscale neighborhood and meets the microcosm of school on the first day. Arty Samantha, Queen Bee Natalia, New Age Spencer, and hanger-on Andy. They’re all anxious to graduate from Kennedy, but their uptight teacher Ms. Ghetty throws a curve ball by assigning the class a Senior Project, where they have to team up and present a topic at the end of the year in order to graduate.

Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.

When his mother dies, scandal-ridden ex-Olympian John Wright returns to a hometown that has not forgiven him.

Veer, a young man from a rural village, learns on his wedding day that the people whom he thought were his parents arn’t. After an attempt is made on his life by unknown gunmen, whom he kills them all using martal arts skills he didn’t know he had, he learns that all of his dreams of a past life are real and that for the past three years he was raised by the couple after finding him in a river, half-dead with five bullet wounds in him. The search takes Vir to Bombay where he soon regains his memory and finds his real name to be a Muslim game marksman named Ali and is targed by criminal bigwigs and corrupt government officials whom he used to work for and betrayed him after hiring him to assasinate various underworld criminals and then framed him for the murder of an innocent chief minister.

Catherine Clare reluctantly trades life in 1980s Manhattan for a remote home in the tiny hamlet of Chosen, New York, after her husband George lands a job teaching art history at a small Hudson Valley college. Even as she does her best to transform the old dairy farm into a place where young daughter Franny will be happy, Catherine increasingly finds herself isolated and alone. She soon comes to sense a sinister darkness lurking both in the walls of the ramshackle property—and in her marriage to George.

Left brain and right brain duke it out and then belt out a tune in comedian Bo Burnham’s quick and clever one-man show. As intelligent as he is lanky, Burnham cynically pokes at pop entertainment while offering unadulterated showmanship of his own.

Steve liked Celia from the moment they met. But following a clash with her boss, Raelene Beagle-Thorpe, Minister for Employment, he finds himself on national television branded as Australia’s biggest dole bludger. Now Steve has to prove to Celia, to himself, and to the whole country, that there’s more to him than meets the eye. With a little help from his friends, he might just do it.