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1A three-part drama about serial killer John Christie and the murders at 10 Rillington Place in the 1940s and early 1950s.
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Drama series depicts positively about marriage and life of a married couple.
With her low-flying Solicitor’s practice incinerated by a disgruntled client, her marriage collapsing and motherhood fast losing its charm, Josephine Newton’s old uni’ friend and not-so secret admirer, Lewis Hughes, persuades her to resume her briefly glorious career at the Bar.
As she rises to the challenge, though, trading the benefits of her brilliant mind for a berth in the lofty glamour of Knox Chambers, Josephine realises it’s not so easy to leave her entourage behind.
Tatau follows Kyle and Budgie, two twenty-something friends from London that set off to travel the world. Ahead of the journey, Kyle gets a Maori-style tattoo to celebrate their eventual destination: the Cook Islands. When snorkeling in a lagoon, Kyle finds the dead body of a local girl, Aumea, tied up underwater. Returning to the lagoon with the police, Kyle finds her corpse has disappeared. But Kyle knows what he saw. Desperate to uncover what happened, Kyle and Budgie find themselves sucked deeper and deeper into a world of Maori myths, symbols, and hallucinatory visions… until finally the full meaning of Kyle’s tattoo is revealed.
‘Black Work’ is the story of Jo Gillespie, a woman who’s husband is shot dead in the line of action, in his job as a undercover cop. Jo, a police officer herself soon has to confront issues in her marriage and family life in order to discover who really killed her husband.
The Kennedys is an Emmy-winning Canadian-American television miniseries chronicling the lives of the Kennedy family, including key triumphs and tragedies it has experienced. It stars Greg Kinnear, Katie Holmes, Barry Pepper and Tom Wilkinson among others, and is directed by Jon Cassar. The series premiered in the United States in April 2011 on ReelzChannel and on History Television in Canada.
The story of Victorian serial killer Mary Ann Cotton, a poisoner whose methods leave no visible scars, allowing her tally of victims to mount, unsuspected by a Victorian society unable to conceive of a woman capable of such terrible crimes. Traveling around the North East, she insinuates herself into unsuspecting families, marrying and creating new families of her own – before killing them, taking their money and moving on.
The Crains, a fractured family, confront haunting memories of their old home and the terrifying events that drove them from it.
Set in 1869 Alberta-Montana border country, “Strange Empire” is a Western whose heroes are women. With most of their men gone, and those who remain battling for control, the women struggle to survive, to find their independence, and to build a life in which to thrive and raise families.
Deep in the Amazon, on the border of Brazil and Colombia, a series of bizarre deaths are investigated by a young female detective, Helena, and her partner, an indigenous policeman named Reynaldo. It becomes clear that the murders are not the biggest mystery within this jungle when the corpse of a particular young woman has no signs of aging. Simultaneously, we follow the story of Yua, and Ushe, two natives who everyone calls “the eternals”, and their battle against Joseph, a foreigner who believes the indigenous population is harboring an incredible secret. The stories and characters will collide to unravel a mystery that can change their lives, and the whole of mankind.
Bel, after spending the past 18 years as a homemaker, steps in to save the family business in a failing family run beauty salon in Manchester’s Northern Quarter. Family feuds and bitter rivalries, professional and personal, escalate in the salon amongst the Botox, fillers and facelifts.
The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.