The series centers on Ryan Atwood, a troubled youth from a broken home who is adopted by the wealthy and philanthropic Sandy and Kirsten Cohen. Ryan and his surrogate brother Seth, a socially awkward yet quick-witted teenager, deal with life as outsiders in the high-class world of Newport Beach. Ryan and Seth spend much time navigating their relationships with girl-next-door Marissa Cooper, Seth’s childhood crush Summer Roberts, and the fast-talking loner Taylor Townsend. Story lines deal with the culture clash between the idealistic Cohen family and the shallow, materialistic, and closed-minded community in which they reside. The series includes elements of postmodernism, and functions as a mixture of melodrama and comedy.
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Adventure Inc. is a dramatised adventure television series produced primarily in Canada which aired from 30 September 2002 to 12 May 2003. It was a co-production of Fireworks Entertainment, Tribune Entertainment, M6, Amy International, and Tele München. The series premise was inspired by the work of modern-day explorer Barry Clifford.
Distribution was by syndication throughout the United States and by Global in Canada. Following its only season, the episodes were aired in Canada on Space.
Joe is left home alone by his mum. Fending for himself, he must deal with new friends, threatening foes, and the dodgy parcel of money he’s found hidden in his bathroom.
Franklin & Bash is an American comedy-drama television series created by Kevin Falls and Bill Chais. The series stars Breckin Meyer and Mark-Paul Gosselaar as unconventional lawyers and longtime friends.
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Both a gift and a curse, Graham has the extraordinary ability to think like his prey—he sees what they see, feels what they feel. But while Graham is pursuing an especially troubling, cannibalistic murderer, Special Agent Jack Crawford teams him with a highly respected psychiatrist – a man with a taste for the criminal minded – Dr. Hannibal Lecter.
Detective Raimy Sullivan is stunned when a voice suddenly crackles through her father’s old, long-broken ham radio – it’s Frank Sullivan, somehow transmitting over the airwaves and through the decades from 1996. Separated by twenty years, father and daughter have reunited on a frequency only they can hear, but can they rewrite the story of their lives without risking everyone they love?
Three schoolgirls and their governesses mysteriously disappear on Valentines Day in 1900.
Misfits is a British science fiction comedy-drama television show, on the network Channel 4, about a group of young offenders sentenced to work in a community service programme, where they obtain supernatural powers after a strange electrical storm. The series started in 2009 and is currently ongoing.
Antonia Thomas, Iwan Rheon, Lauren Socha, Nathan Stewart-Jarrett, and Robert Sheehan are introduced as Alisha Daniels, Simon Bellamy, Kelly Bailey, Curtis Donovan, and Nathan Young respectively. Sheehan left after the second series, replaced in the third by Joseph Gilgun as Rudy Wade. After the third series was announced Rheon, Thomas and Socha had left their roles and would be replaced by new cast members Karla Crome, Nathan McMullen and Matt Stokoe, as Jess, Finn and Alex respectively. Midway through the fourth series, Stewart-Jarrett left while Natasha O’Keeffe joined the cast as Abbey Smith.
On 19 March 2013, Channel 4 announced at a press event that they have renewed Misfits for a fifth and final series containing 8 episodes.
The Practice is an American legal drama created by David E. Kelley centering on the partners and associates at a Boston law firm. Running for eight seasons on ABC from 1997 to 2004, the show won the Emmy in 1998 and 1999 for Best Drama Series, and spawned the successful and lighter spin-off series Boston Legal, which ran for five more seasons, from 2004 to 2008.
The Practice focused on the law firm of Robert Donnell and Associates. Plots typically featured the firm’s involvement in various high-profile criminal and civil cases that often mirror current events. Conflict between legal ethics and personal morality was a recurring theme. Some episodes contained light comedy. Kelley claimed that he conceived the show as something of a rebuttal to L.A. Law and its romanticized treatment of the American legal system and legal proceedings.