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1The drama is set in the backstage world of broadcasting industry. The story revolves around the dynamic work and life of people who work in entertainment division of television network.
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Mary Hartman, Mary Hartman is an American soap opera parody that aired in daily syndication from January 1976 to May 1977. The series was produced by Norman Lear, directed by Joan Darling and Jim Drake, and starred Louise Lasser. The series writers were Gail Parent and Ann Marcus.
The show’s title was the eponymous character’s name stated twice, because Lear and the writers believed that everything that was said on a soap opera was said twice.
In 2004 and 2007, Mary Hartman, Mary Hartman was ranked #21 and #26 on “TV Guide’s Top Cult Shows Ever”.
Contra Security is a high tech security firm that specializes in breaking in as a way to test security measures. The team members comprise various skills, and even more various personalities.
When the patriarch of a prominent family dies, his heirs battle to determine who will gain control of his beloved soccer team: The Cuervos of Nuevo Toledo.
Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore “The Beaver” Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver’s parents, June and Ward Cleaver, and Tony Dow as Beaver’s brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.
The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show’s characters, plots, and dialogue in the lives, experiences, and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child’s point-of-view. Like several television dramas and sitcoms of the late 1950s and early 1960s, Leave It to Beaver is a glimpse at middle-class, white American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.
A weekly helping of topical satire, funny takes on the week’s top stories and Canada-wide adventures.
Tom and Suze, two nineteen-year-olds both dreaming of the future, have sex when nuclear war strikes. Unfortunately, they then survive. Awkward. Cockroaches is a post-apocalyptic comedy about one family trying to survive in a wasteland of cannibals, perverts and one insufferable-ex. Our heroes struggle with boredom, fear and the ethics of cooking with their own body fluids.
In the tradition of Anthony Bourdain’s “Kitchen Confidential” and Gelsey Kirkland’s “Dancing on my Grave” comes an insider’s look into the secret world of classical musicians.
From her debut recital at Carnegie Recital Hall to the Broadway pits of “Les Miserables” and “Miss Saigon,” Blair Tindall has played with some of the biggest names in classical music for twenty-five years. Now in “Mozart in the Jungle,” Tindall exposes the scandalous rock and roll lifestyles of the musicians, conductors, and administrators who inhabit the insular world of classical music.
Newspaper reporter Tim O’Hara finds a crashed alien spaceship that contains one live alien. Not wanting to be discovered by the authorities, the Martian assumes the identity of Tim’s Uncle Martin and begins to repair his spaceship so that he can return to Mars.
The Mighty Boosh is a British comedy television show created by Julian Barratt, Noel Fielding and others. The Mighty Boosh is a comic fantasy containing humour and pop-culture references. Episodes often featured elaborate musical numbers in different genres, such as electro, heavy metal, funk, and rap. The show has been known for popularising a style called “crimping”; short a cappella songs which are present throughout all three series. Julian Barratt wrote the music within the show, and performs it with Noel Fielding. Fielding also designed many of the show’s graphics and artwork.
The TV series has many animated sequences, puppets and special effects. Barratt has said that he approached Fielding with the idea of doing a show like The Goodies, as if it were a complete “world” rather than simply a sketch show. Barratt and Fielding play many of the recurring and one-off characters themselves, with other characters being played by other Boosh members Rich Fulcher, Dave Brown, and Michael Fielding.