Baby Daddy follows Ben, a young man in his early 20s living the life of a bachelor in New York City with his buddy, Tucker, and his brother, Danny. Their lives are turned upside down when they come home one day to find a baby girl left on the doorstep by an ex-girlfriend of Ben’s. After much deliberation, Ben decides to raise the baby with the help of his friends and his protective and sometimes over-bearing mother, Bonnie, and his close female friend, Riley.
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Every day is a matter of life and death in a hectic New York City hospital, but for Nurse Jackie that’s the easiest part. Between chronic back pain that won’t quit, and a personal life on the constant edge of collapse, it’s going to take a white lie here, a bent rule there, and a handful of secret strategies to relieve the pain, and stay one step ahead of total disaster.
Following the adventures of a bunch of nobodies who get up to a whole lot of nothing in the fictional prairie town of Dog River, Saskatchewan, Corner Gas focuses on the life (or lack thereof) of Brent LeRoy, proprietor of a gas station that is the only stop for miles around and a hub of action on the Prairies.
18 teams travel the world to 26 exotic locations trying to be the last team standing to win a million dollars complete with a new host.
A show for Fanboys by Fanboys. Set in uber-geek Kevin Smith’s iconic comic shop Jay and Silent Bob’s Secret Stash, the show explores every nook and cranny of Fanboy culture from A to Z. Endless circular debates about the technical accuracy of the USS Enterprise’s warp-core schematics? Snarky comic aficionados with an encyclopedic knowledge of every Marvel back issue? You bet.
Sanford and Son is an American sitcom, based on the BBC’s Steptoe and Son, that ran on the NBC television network from January 14, 1972, to March 25, 1977.
Known for its edgy racial humor, running gags and catch phrases, the series was adapted by Norman Lear and considered NBC’s answer to Archie Bunker. Sanford and Son has long been hailed as the precursor to many other African American sitcoms. It was a ratings hit throughout its six season run.
While the role of Fred G. Sanford was known for his bigotry and being cantankerous, the role of Lamont Sanford was usually a peacemaker and more conscientious. At times, both would involve themselves in schemes. Other colorful/unconventional characters were Aunt Esther, Grady Wilson, Bubba Bexley and Rollo Lawson.
In 2007, Time magazine included the show on their list of the “100 Best TV Shows of All Time”.
A comedy about a mother at a milestone in her life. We follow her and her family through a year of new beginnings as she rebuilds her life following the death of her husband. Mum is joined by her supportive life-long friend Michael. Through a year of new beginnings she rebuilds her life surrounded by her family: son Jason and his girlfriend Kelly; her brother Derek and his new partner, Pauline; and her in-laws.
In 1935, financially strapped widow Louisa Durrell, whose life has fallen apart, decides to move from England, with her four children (three sons, one daughter), to the island of Corfu, Greece. Once there, the family moves into a dilapidated old house that has no electricity and that is crumbling apart. But life on Corfu is cheap, it’s an earthly paradise, and the Durrells proceed to forge their new existence, with all its challenges, adventures, and forming relationships.
AfterMASH is an American situation comedy that aired on CBS from September 26, 1983, to December 11, 1984. A spin-off of the series M*A*S*H, the show takes place immediately following the end of the Korean War and chronicles the adventures of three characters from the original series: Colonel Potter, Klinger and Father Mulcahy. M*A*S*H supporting cast-member Kellye Nakahara joined them, albeit off-camera, as the voice of the hospital’s public address system. Rosalind Chao rounded out the starring cast as Soon-Lee Klinger, a Korean refugee whom Klinger met, fell in love with and married in the M*A*S*H series finale “Goodbye, Farewell and Amen.”
AfterMASH premiered in the fall of 1983 in the same Monday night 9:00 P.M. EST. time slot as its predecessor M*A*S*H. It finished 10th out of all network shows for the 1983-1984 season according to Nielsen Media Research television ratings. For its second season CBS moved the show to Tuesday nights at 8:00 EST., opposite NBC’s top ten hit The A-Team, and launched a marketing campaign featuring illustrations by Sanford Kossin of Max Klinger in a nurse’s uniform, shaving off Mr. T’s signature mohawk, theorizing that AfterMASH would take a large portion of The A-Team’s audience. The theory, however, was proven wrong. In fact, the exact opposite occurred, as AfterMASH’s ratings plummeted to near the bottom of the television rankings and the show was canceled nine episodes into its second season, while The A-Team continued until 1987, with 97 episodes.
Four teens discover that they’re next-gen Guardians with a mission to save the world, by defending it in cyberspace. The Internet revolutionized the world, but it also left it vulnerable to attack. With the help of VERA, the last surviving cyberbeing from the original Guardian Program, our heroes stream into cyberspace where they use their awesome code-based powers to battle viruses that have been unleashed by a ruthless hacker.
Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney’s age, and the parallels — illustrated by comical flashback sequences starring a young Max — are both amusing and enlightening.
