Beavis and Butt-head are high school students whose lifestyles revolve around TV, junk food (usually nachos), shopping malls, heavy metal music, and trying to “score with chicks”. Each show contains short cartoons centering on the duo who live in the fictitious town of Highland, Texas. The episodes are broken up by short breaks in which Beavis and Butt-head watch and make fun of music videos.

Two women working in the same industry with the exact same name keep getting their lives entangled both professionally and personally.

A dad finds out that parenting is harder than he thought after his wife goes back to work and he’s left at home to take care of the kids.

Remington Steele is an American television series co-created by Robert Butler and Michael Gleason. The series, starring Stephanie Zimbalist and Pierce Brosnan, was produced by MTM Enterprises and first broadcast on the NBC network from 1982 to 1987. The series blended the genres of romantic comedy, drama, and detective procedural. Remington Steele is best known for launching the career of Pierce Brosnan and for serving as a forerunner of the similar series Moonlighting.

Remington Steele’s premise is that Laura Holt, a licensed private detective played by Stephanie Zimbalist, opened a detective agency under her own name but found that potential clients refused to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, “License to Steele”, Pierce Brosnan’s character, a former thief and con man whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.

Sick, twisted, politically incorrect and Freakin’ Sweet animated series featuring the adventures of the dysfunctional Griffin family. Bumbling Peter and long-suffering Lois have three kids. Stewie (a brilliant but sadistic baby bent on killing his mother and taking over the world), Meg (the oldest, and is the most unpopular girl in town) and Chris (the middle kid, he’s not very bright but has a passion for movies). The final member of the family is Brian – a talking dog and much more than a pet, he keeps Stewie in check whilst sipping Martinis and sorting through his own life issues.

Jonathan Ames, a young Brooklyn writer, is feeling lost. He’s just gone through a painful break-up, thanks in part to his drinking, can’t write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies — moonlighting as a private detective — because he wants to be a hero and a man of action.

A dual coming-of-age comedy exploring the impact of internet porn and social media, Mrs. Fletcher follows empty nest divorcée Eve Fletcher — as she reinvents her life to find the happiness and sexual fulfillment that’s eluded her, and her college freshman son Brendan.

Rules of Engagement is a comedy about the different phases of male/female relationships, as seen through the eyes of a newly engaged couple, Adam and Jennifer, a long-time married pair, Jeff and Audrey, and a single guy on the prowl, Russell. As they find out, the often confusing stages of a relationship can seem like being on a roller coaster. People can describe the ride to you, but to really know what it’s like you have to experience it for yourself.

Kobayashi lives alone in an apartment, until one day, Tooru appeared and they ended up living together. Tooru looks down on humans as inferior and foolish, but having been saved by Kobayashi-san, she does everything she can to repay the debt and help her with various things, although not everything goes according to plan.

A mythical everyday life comedy about a hard working office lady living with a dragon girl.

Brody, a young hot-shot banker at Whitestone Trust, thought he was just having a one-night stand with Jennifer, a beautiful woman he met at a bar. But when he discovers that she works in maintenance for the building where he works, their worlds begin to collide in the most unexpected way. Facing Brody’s critical boss, Mr. Mansfield, as well as annoyed colleagues, the pair must find a way to deal with their growing feelings for each other in this modern take on Romeo & Juliet.

How can a mermaid from the Joseon era survive in modern-day Seoul? Shim Chung is a mermaid who finds herself transplanted to modern times. She is caught by Heo Joon Jae, a charming but cold con artist who is the doppelgänger for Kim Moon, the son of a nobleman from the Joseon Dynasty. But in the present time, Joon Jae works with Jo Nam Doo, a skilled conman who guides Joon Jae to become a genius scammer. But Joon Jae’s friend, Cha Shi Ah, who works as a researcher at KAIST, may be Chung’s only hope for surviving in her strange new world.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.