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In a backwater corner of the South Pacific in 1938, a young American adventurer and his ragtag group of friends become involved in death-defying hi-jinx, transporting people-on-the-run in a well-worn Grumman Goose seaplane.
Spooks: Code 9 is a counter-intelligence drama series broadcast on BBC Three in 2008.
The series was commissioned by BBC Fiction’s controller Jane Tranter as a spin-off of their long-running drama Spooks, offering a “more maverick, younger perspective” that would attract a 16-24-year-old audience. The series follows a group of six new young MI5 recruits who “follow a different rule book”. It was produced by the independent production company Kudos and was filmed in and around Leeds and Bradford. The first two episodes were broadcast on BBC Three on 10 August 2008 and repeated on the same channel on 11 August 2008.
The decision to relate the new project to the original Spooks was controversial, with actor Georgia Moffett saying “it’s slightly misleading in terms of the word Spooks.” and producer Chris Fry saying “this is a completely new show. There are no crossover characters or storylines and, most importantly, it is set in a completely new world.” After the relatively unsuccessful first series, executive producer Karen Wilson claimed that many of the existing cast members were “contracted for another year” and outlined themes “we’d like to explore if we get a second series.”
Set in a gripping vision of the near future, THE COMMONS is an absorbing character-driven relationship drama and a story about motherhood as the ultimate act of faith in humanity.
In 2012, the world allegedly comes to an end at the hands of a human-made virus, ravaging the global populace and leaving only children untouched. It is at this time that vampires emerge from the recesses of the earth, likely followed by age-old horrors of the dark thought only to be myth. The vampires sweep the earth and claim it in a single violent stroke, subjugating the remnants of humanity and leading them beneath the surface to safety. This “protection” comes at the price of donating blood to their captors. At the age of twelve, Yūichirō and his friend and fellow orphan Mikaela plotted to escape along with the children in Hyakuya Orphanage. However, this resulted in their deaths and Mikaela sacrifices himself in order for Yūichirō to escape and be saved by members of the Moon Demon Company, an extermination unit of the Japanese Imperial Demon Army. Four years later, Yūichirō dedicates his life to destroy vampires and seek revenge against them for murdering his “family”.
Return to the world of Thra, where three Gelfling discover the horrifying secret behind the Skeksis’ power and set out to ignite the fires of rebellion and save their world.
The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.
After fully recovering from her near fatal bout of bionic rejection, Jaime Sommers, the first female cyborg, is assigned to spy missions of her own.
Land of the Giants is an hour-long American science fiction television program lasting two seasons beginning on September 22, 1968, and ending on March 22, 1970. The show was created and produced by Irwin Allen. Land of the Giants was the fourth of Allen’s science fiction TV series. The show was aired on ABC and released by 20th Century Fox Television. The series was filmed entirely in color and ran for 51 episodes. The show starred Gary Conway and Don Marshall. Author Murray Leinster also wrote three novels in 1968 and 1969 based on the television series.
