Perhaps their strikingly different personalities make the relationship between detective Jane Rizzoli and medical examiner Maura Isles so effective. Jane, the only female cop in Boston’s homicide division, is tough, relentless and rarely lets her guard down, while the impeccably dressed Maura displays a sometimes icy temperament — she is, after all, more comfortable among the dead than the living. Together, the best friends have forged a quirky and supportive relationship; they drop the protective shield in each other’s company, and combine their expertise to solve Boston’s most complex cases.
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Remington Steele is an American television series co-created by Robert Butler and Michael Gleason. The series, starring Stephanie Zimbalist and Pierce Brosnan, was produced by MTM Enterprises and first broadcast on the NBC network from 1982 to 1987. The series blended the genres of romantic comedy, drama, and detective procedural. Remington Steele is best known for launching the career of Pierce Brosnan and for serving as a forerunner of the similar series Moonlighting.
Remington Steele’s premise is that Laura Holt, a licensed private detective played by Stephanie Zimbalist, opened a detective agency under her own name but found that potential clients refused to hire a woman, however qualified. To solve the problem, Laura invents a fictitious male superior whom she names Remington Steele. Through a series of events that unfold in the first episode, “License to Steele”, Pierce Brosnan’s character, a former thief and con man whose real name is never revealed, assumes the identity of Remington Steele. Behind the scenes, Laura remains firmly in charge.
Howard Silk is a lowly cog in a bureaucratic UN agency who is turning the last corner of a life filled with regret when he discovers the agency he works for is guarding a secret: a crossing to a parallel dimension.
Yūri Katsuki carried all of Japan’s hopes on his shoulders to win at the Gran Prix Finale ice skating competition, but suffered a crushing defeat. He returns home to Kyushu and half feels like he wants to retire, and half feels like he wants to continue ice skating. Suddenly the five-time consecutive world championship ice skater Victor Nikiforov appears before him with Yuri Plisetsky, a young Russian figure skater who is already defeating his seniors. Victor and both Yuris take up the challenge on an unprecedented Gran Prix series.
G vs E is an American fantasy-based television action series that had its first season air on USA Network during the summer and autumn of 1999. For the second season the series switched to Sci-Fi Channel in early 2000. The series stars Clayton Rohner, Richard Brooks and Marshall Bell.
G vs E pitted a group of agents who are assigned to “the Corps”, a secret agency under the command of Heaven, against the “Morlocks”, a group of evildoers from Hell.
The series has a 1970s retro-hip style that is similar to Quentin Tarantino’s Pulp Fiction. The show is fast-moving and harkens back to the blaxploitation films of the 1970s. It also mixes spy-fi elements with the end of the millennium Zeitgeist of the late 1990s.
NBC Universal’s horror-themed cable channel Chiller, which launched on March 1, 2007, aired G vs. E as part of its premiere schedule.
Once a powerful lawyer, Billy McBride is now burned out and washed up, spending more time in a bar than a courtroom. When he reluctantly agrees to pursue a wrongful death lawsuit against the biggest client of Cooperman & McBride, the massive law firm he helped create, Billy and his ragtag team uncover a vast and deadly conspiracy, pitting them all in a life or death trial against the ultimate Goliath.
Two brothers, Wirt and Greg, find themselves lost in the Unknown; a strange forest adrift in time. With the help of a wise old Woodsman and a foul-tempered bluebird named Beatrice, Wirt and Greg must travel across this strange land, in hope of finding their way home. Join them as they encounter surprises and obstacles on their journey through the wood.
Five ordinary people with superhuman physical and mental abilities are brought together to form one extraordinary team of Alphas. Operating within the U.S. Department of Defense, the team investigates cases that point to others with Alpha abilities.
The journeys of some of the most well-known names in the world of crime, and a look at how they began as unknown thugs and transformed into globally notorious kings of crime.
InthemonthsfollowingthesuccessfulresolutionoftheLulaLandrycase,businesshasimprovedforprivateinvestigatorCormoranStrike.Whilehandlingasteadystreamofdivorcecasesandtheoccasionaljobonbehalfofatabloidjournalist,StrikeisapproachedbyLeonoraQuinewithapleatolocateherhusband,thenotoriouswriterOwenQuine,whohasdisappearedwithoutatrace
Frank Hathaway, a hardboiled private investigator, and his rookie sidekick Lu Shakespeare form the unlikeliest of partnerships as they investigate the secrets of rural Warwickshire’s residents.
Beneath the picturesque charm lies a hotbed of mystery and intrigue: extramarital affairs, celebrity stalkers, missing police informants, care home saboteurs, rural rednecks and murderous magicians, embezzling accountants and abducted au pairs, blackmail, comp claims and custody cases, all-night stake-outs and professional hits. Our odd couple of detectives will put the world to rights as they snoop and pry. They disagree on almost everything, yet somehow, together, they make a surprisingly effective team. Although they would never admit it.
Generation War is a German World War II TV miniseries in three parts. It was commissioned by public broadcasting organization ZDF, produced by the UFA subsidiary TeamWorx, and first aired in Germany and Austria in March 2013. The series tells the story of five German friends, aged around 20, on their different paths through Nazi Germany and World War II: As Wehrmacht soldiers on the Eastern Front, war nurse, aspiring singer, and Jewish tailor respectively. The narrative spans over five years starting in 1941 Berlin, when the friends meet up for a last time before embarking on their journeys, enthusiastically vowing to meet up again the following Christmas. The story’s conclusion is set in a time shortly after the end of the war in 1945/46.
When the series first aired in Germany, each episode garnered around 7 million viewers. The Economist stated that hardly any German TV drama ever caused that much public debate. While German critics were prone to commend the series as well-crafted, some Poles were enraged by parts of the story.