Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.

Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.

This mockumentary goes behind the microphone of Kurupt FM – the second most popular pirate radio station in West London, receiving up to eight texts per show and playing the finest in UK garage and drum ‘n’ bass. Co-founded by the MC Sniper and DJ Beats in 2002, the station has now built up a following of over a hundred people and has attracted the attention of the BBC who are making a documentary about the lives of those behind Kurupt FM

A normal girl’s life is made extraordinary by her best friend – an unpredictable, outrageous, and hilarious talking pony. No matter the complications he causes, Annie knows that everything is better when Pony is around.

Six years before Saul Goodman meets Walter White. We meet him when the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is “fixer” Mike Erhmantraut. The series will track Jimmy’s transformation into Saul Goodman, the man who puts “criminal” in “criminal lawyer”.

Tales from the Crypt, sometimes titled HBO’s Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989 to July 19, 1996 on the premium cable channel HBO for seven seasons with a total of 93 episodes. The title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or the four other EC Comics of the time. The show was produced by HBO with uncredited association by The Geffen Film Company and Warner Bros. Television. The series is not to be confused with the 1972 film by the same name or Tales from the Darkside, another similarly themed horror anthology series.

Because it was aired on HBO, a premium cable television channel, it was one of the few anthology series to be allowed to have full freedom from censorship by network standards and practices as a result, HBO allowed the series to contain graphic violence as well as other content that had not appeared in most television series up to that time, such as profanity, gore, nudity and sexual situations, which could give the series a TV-MA rating for today’s standards. The show is subsequently edited for such content when broadcast in syndication or on basic cable. While the series began production in the United States, in the final season filming moved to Britain, resulting in episodes which revolved around British characters.

The raucous adventures of some of music’s most legendary artists, as told by those who knew them best. Featuring animated interviews with former bandmates, friends and other erstwhile associates, who share uncensored anecdotes about these artists, brought to life with animated reenactments and woven together with live-action archival performance footage and photos.

Two women working in the same industry with the exact same name keep getting their lives entangled both professionally and personally.

Not Available

Soap is an American sitcom that originally ran on ABC from 1977 into 1981. The show was created as a night-time parody of daytime soap operas, presented as a weekly half-hour prime time comedy. Similar to a soap opera, the show’s story was presented in a serial format and included melodramatic plot elements such as alien abduction, demonic possession, murder, and kidnapping.

In 2007 it was listed as one of Time magazine’s “100 Best TV Shows of All-TIME,” and in 2010, the Tates and the Campbells ranked at number 17 in TV Guide’s list of “TV’s Top Families”.

The show was created, written, and executive produced by Susan Harris, and also executive produced by Paul Junger Witt and Tony Thomas. Each returning season was preceded by a 90-minute retrospective of the previous season. Two of these retrospectives were made available on VHS in 1994.

The show aired 85 episodes over the course of four seasons. The final four episodes of the series aired as one-hour episodes during the original run on ABC. These hour-long episodes were later split in two, yielding 93 half-hour episodes for syndication.

All episodes are currently available on region 1 DVD in four separate box sets. In the past, the series has rerun on local syndicated channels as well as on cable on Comedy Central and TV Land. It ran on over-the-air television on Antenna TV, until December 30th, 2012.

Emet is the perfect mom, boss, wife, friend and daughter. Okay, she’s not perfect. In fact, she’s just figuring it out like the rest of us. Sure, she feels bad when she has a sexy dream about someone other than her husband, or when she pretends not to know her kids when they misbehave in public, or when she uses her staff to help solve personal problems. But that’s okay, right? Nobody can have it all and do it perfectly.

Unique performers demonstrate their artistry in front of Hollywood judges in this update of the kitschy ’70s talent show, which features the worst performances being cut short by bangs on the titular gong.

Not Available