In the early 1990s, a recently widowed, impoverished Orlando water park employee schemes and cons her way up the ranks of the multi-billion dollar pyramid scheme which ruined her financially in the first place.

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An animated comedy focusing on the downtrodden creatures native to Earth’s least-habitable environment: New York City. Whether it’s lovelorn rats, gender-questioning pigeons or aging bedbugs in the midst of a midlife crisis, the awkward small talk, moral ambiguity and existential woes of non-human urbanites prove startlingly similar to our own.

Summer Heights High is an Australian television mockumentary series written by and starring Chris Lilley. It is a parody of high-school life epitomised by its three protagonists: effeminate and megalomaniacal “Director of Performing Arts” Mr G; self-absorbed, privileged teenager Ja’mie King; and disobedient, vulgar Tongan student Jonah Takalua. All played by Lilley, the characters never interact. It lampoons Australian high school life and many aspects of the human condition and is filmed in a documentary style, with non-actors playing supporting characters.

Following a similar format to Lilley’s previous series, We Can Be Heroes: Finding The Australian of the Year, Lilley plays multiple characters in the show. Filmed in Melbourne at Brighton Secondary College, the series premiered on 5 September 2007 at 9:30 pm on ABC TV and continued for eight weekly episodes until 24 October 2007. Each episode was also released as a weekly podcast directly after its screening via both the official website and through any RSS podcast client in either WMV or MPEG-4.

Summer Heights High was a massive ratings success for the Australian Broadcasting Corporation, and was met with mostly positive critical reaction. In 2008, the series won a Logie Award for Most Popular Light Entertainment/Comedy Program.

Emily Dickinson. Poet. Daughter. Total rebel. In this coming-of-age story, Emily’s determined to become the world’s greatest poet.

In 1980s Japan, one determined man turned every crushing setback into opportunity. His name was Toru Muranishi, and he revolutionized his industry.

Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore “The Beaver” Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver’s parents, June and Ward Cleaver, and Tony Dow as Beaver’s brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show’s characters, plots, and dialogue in the lives, experiences, and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child’s point-of-view. Like several television dramas and sitcoms of the late 1950s and early 1960s, Leave It to Beaver is a glimpse at middle-class, white American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.

Obstetrician/gynecologist Mindy Lahiri tries to balance her personal and professional life, surrounded by quirky co-workers in a small medical practice in New York City.

Four teenage friends move from Minneapolis to Los Angeles to form a potential chart-topping boy band after Kendall is inadvertently discovered by an eccentric record executive, Gustavo Rocque. As they seize this opportunity of a lifetime, these friends embark on an exciting comedy and music-filled journey to prove to themselves and their record label that they are serious about their new career choice.

When Tom and Ellen are together, things seem to work. It’s only in the spaces outside the relationship – the intrusions of real life, and the deadly collaboration of parents, siblings, friends and exes – that the flailing attempts to make good first impressions, arrange first dates and hold a relationship together, seem to unravel.

Every Sunday, Hasan Minhaj brings an incisive and nuanced perspective to global news, politics and culture in his unique comedy series.